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06|01|2008

Wacom Cintiq 12WX   [Studio Monthly]

Mike de la Flor

In 2001 Wacom revolutionized digital artistry with the introduction of the first Cintiq interactive pen displays. Though pricey the Cintiqs were popular because they allowed artists to draw directly on screen....  »
06|01|2008

At the Touch of a Finger   [Studio Monthly]

FOR-A released the MPB-100VW Video Writer, which, first shown at NAB 2008, will also be featured at the company’s booth at InfoComm 2008 (Booth C2316). ...  »
06|01|2008

MOTU’s FireWire I/O Box Now in Sync with Final Cut Pro   [Studio Monthly]

MOTU has just launched the V4HD, the next generation of the company’s V3HD FireWire video I/O and converter box for Mac and Windows. The V4HD provides the same features as the V3HD, plus some notable new ones....  »
05|19|2008

Scratch Cine Fills Gap in RED Workflow   [Studio Daily]

Matt Armstrong

Assimilate, in conjunction with BOXX Technologies, released an all-in-one computer specifically designed to conform high resolution footage from the RED Digital Camera. In this video, Assimilate's Lucas Wilson explains what ScratchCine is, and is not, and Fraoncois Wolf of BOXX talks about acheiving realitime playback and conform of these immense files. ...  »
05|13|2008

Automatic Duck Bridges Gap Between Toon Boom StoryBoard Pro and Final Cut Pro   [Studio Daily]

Press Release

Emmy award-winning Toon Boom Animation Inc. today announced its partnership with Automatic Duck to bring the editing process to the next level. Toon Boom Storyboard Pro exports animatics in the AAF file format and Pro Import FCP takes them straight into Final Cut Pro, with automated relink of video files and unlimited audio tracks. ...  »
05|01|2008

BOXX Releases Next Generation Special Edition 3DBOXX   [Studio Daily]

Press Release

BOXX Technologies Inc., an innovator in high-performance computing systems for visual effects (VFX) and design professionals, today released a Special Edition 3DBOXX workstation that delivers unmatched dual- processor workstation performance by maximizing the power of two Intel Core 2 Extreme processors. Benchmarks computed by BOXX Labs indicate 23.2 percent more performance on Cinebench 10 for the Special Edition compared to the world-record setting 3DBOXX 8400SE.* ...  »
05|01|2008

Create the "Pleasantville Effect" in Final Cut Pro   [Studio Monthly]

Lonzell Watson

This technique is a simplified play on color isolation made popular by such films as Pleasantville and Sin City. It is, nonetheless, a powerful tool to command the attention of an unsuspecting audience....  »
04|28|2008

Editor Keith Olwell Launches Proton Studio, NYC   [Studio Daily]

Press Release

Editor Keith Olwell and Executive Producer Elizabeth Kiehner have teamed up to helm Proton Studio, a full service editorial resource with expanded creative capabilities including sound design and finishing, as well as a road-worthy, full capacity studio for working remote situations. Located in the heart of Chelsea, Proton first project is a national campaign for TomTom out of Boathouse in Waltham, Massachusetts. Additional editor signings are forthcoming....  »
04|22|2008

Automatic Duck Pro Export FCP 4   [Studio Daily]

Matt Armstrong

Wes Plate, founder of Automatic Duck, demonstrates the new version 4 of Pro Export FCP which allows Final Cut Pro sequences to be exported into the Avid. ...  »
04|22|2008

Codex Digital Portable Recorder   [Studio Daily]

James Mathers

James Mathers, cinematographer and president of the Digital Cinema Society, talks with Paul Bamborough, co-founder of Codex Digital, about the new Codex Digital Portable recorder as well as the soon-to-be released version of the Transfer Station to handle all the deliverables of the RAW footage. ...  »
04|22|2008

Server-Based Editing for Maximum Throughput   [HD Studio]

By Michael Grotticelli

At NAB a company called Maximum Throughput, known for its Sledgehammer network storage arrays, showed a server-based workgroup editing solution called MAXedit Server Edition that allows small broadcasters to cost-effectively set-up multi-seat HD/SD editing workgroups. While the software is no substitute for an Avid, Quantel or Thomson workgroup solution—as Giovanni Tagliamonti, the company’s chief executive officer will quickly tell you—it does allow someone to use standard laptops and desktop PCs to handle frame-accurate editing of compressed or uncompressed multi-resolution content....  »
04|14|2008

AJA Announces KONA Version 6.0 Supporting RED Post-Production Workflows   [Studio Daily]

Press Release

In an effort to optimize support for RED Digital Cinema workflows in post production, AJA Video is adding RED-specific video outputs for some of the unique frame sizes that the REDALERT and REDCINE software applications can produce. This additional support for RED will be included in the version 6.0 software driver for the award-winning KONA 3 video card. The version 6.0 software update will be a free upgrade for KONA 3 users, and will be available for download in late May of 2008. ...  »
04|14|2008

Avid Releases Next-Generation Editing Systems    [Studio Daily]

Press Release

Avid Technology, Inc. (Nasdaq: AVID) today unveiled a new family of professional digital video editing systems that offer greater speed, responsiveness, reliability and price-performance – delivering an exceptional HD editing experience to media professionals. The new lineup, which includes next-generation versions of Avid® Media Composer® (v3.0), NewsCutter® (v7.0), and Symphony™ (v3.0) software, as well as new hardware configurations, Mojo DX and Nitris® DX, maximizes real-time performance for customers by intelligently using all available computing bandwidth to evenly disperse the processing of video and effects across the entire system. The result is an extremely fast and responsive HD editing experience that provides greater creative freedom and flexibility to end-users....  »
04|14|2008

Adobe Starts Initiative to Develop Open Format for Digital Cinema Files   [Studio Daily]

Press Release

dobe Systems Incorporated (Nasdaq:ADBE) today announced that it plans to lead an initiative to define an industry-wide open file format for digital cinema files to streamline workflows and help ensure easy archiving and exchange. Adobe intends to leverage its successful Digital Negative Specification (DNG) file format as a foundation, and Adobe plans to work with a broad coalition of leading camera manufacturers, including Panavision, Silicon Imaging, Dalsa, Weisscam, and ARRI—along with software vendors, including Iridas and The Foundry, and codec provider CineForm—to define the requirements for an open, publicly documented file format that it plans to call CinemaDNG. ...  »
04|13|2008

Panasonic Unveils BT-LH1760 17” LCD HD Production Monitor    [Studio Daily]

Matt Armstrong

Here at NAB, Panasonic introduces the BT-LH1760 17” LCD production monitor that utilizes a 120 Hz double speed drive and an advanced IPS panel to provide unsurpassed performance quality in a high definition, professional LCD display. Equipped with a new vectorscope function as well as built-in waveform monitor, the new LH1760 delivers value added features with exceptional color reproduction, motion handling, and latency characteristics formerly found only in CRT monitors. ...  »

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