Film & Video asked JC Bond, additional editor on Alice in Wonderland, about the challenge of managing massive quantities of footage, and found out why Alice might look ever so slightly different depending on where you see it.... »
Jesse Warren and Mark Gantt wanted creative control over their next project and, ultimately, their careers. So they created a slick, feature-worthy Web series from the ground up, complete with a marketing plan, cross-promotional tie-ins and top talent. Sony Pictures Television bought the show, which was shot on RED with a limited budget, to headline its Crackle.com network. Now it's headed for feature release on DVD and TV. How did they do it?... »
3 Dart broke down the human gestation period into seven animated segments each covering between two and four weeks in the process, starting from about a week after conception and finishing off with labor and delivery.... »
While Leap Year, which follows the heroine played by Amy Adams' search for love in Ireland, is definitely green, it's not what you'd necessarily think of as a greenscreen film.... »
The animated film, Nitké, released in Mexican theaters last month, is about a little girl that wants to be a princess among the Ancient civilization, the Olmecas. One of the most striking aspects of the film is its rich color scheme, which seems to readily conjure an ancient world.... »
Michael Waldron, nailgun*'s creative and live action director, shares the experience of shooting the show open for Girls Next Door in Hef's house.... »
Amelia is director Mira Nair's new biopic retelling the story of aviation pioneer Amelia Earhart, who disappeared over the Pacific in an attempted around-the-world solo flight. Toronto's Mr. X delivered 277 shots that not only helped put Earhart — played here by Hillary Swank — in the air, but helped maintain the necessary illusion of a period piece.... »
Glee has a split personality, says supervising sound editor John Benson, who spots the show at Technicolor Sound Services with co-supervising sound editor Gary Megregian and producer Alexis Martin. “The show is a constant contrast between the fantasy of the musical performances and the reality of a high-school drama,” he explains, emphasizing that the two never overlap. That makes the transitions from reality to fantasy and back as critical to the show’s audio as the music itself.... »
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