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02|25|2010

Editing for 3D on Alice in Wonderland   [Film & Video]

By Bryant Frazer

Film & Video asked JC Bond, additional editor on Alice in Wonderland, about the challenge of managing massive quantities of footage, and found out why Alice might look ever so slightly different depending on where you see it....  »
02|24|2010

3D Fashion Shoot Uses Gaming Style to Make a Statement   [Studio Monthly]

Beth Marchant

02|12|2010

Going Their Own Way with The Bannen Way   [Studio Monthly]

Beth Marchant

Jesse Warren and Mark Gantt wanted creative control over their next project and, ultimately, their careers. So they created a slick, feature-worthy Web series from the ground up, complete with a marketing plan, cross-promotional tie-ins and top talent. Sony Pictures Television bought the show, which was shot on RED with a limited budget, to headline its Crackle.com network. Now it's headed for feature release on DVD and TV. How did they do it?...  »
02|11|2010

Director Joachim Back on "The New Tenants"   [Film & Video]

By Bryant Frazer

Oscar-nominated short film "The New Tenants" is a wry, sideways look at love and death in New York City....  »
01|27|2010

Going Inside the Womb for BabyCenter   [Film & Video]

By Bryant Frazer

3 Dart broke down the human gestation period into seven animated segments each covering between two and four weeks in the process, starting from about a week after conception and finishing off with labor and delivery....  »
01|26|2010

FX of Romance—Digitally Expanding the Scope of Leap Year   [Studio Daily]

Jessica Clegg

While Leap Year, which follows the heroine played by Amy Adams' search for love in Ireland, is definitely green, it's not what you'd necessarily think of as a greenscreen film....  »
01|13|2010

ANIMEX Boosts Tech to Find a Truer Jungle Color Scheme in Nitké   [Studio Daily]

Jessica Clegg

The animated film, Nitké, released in Mexican theaters last month, is about a little girl that wants to be a princess among the Ancient civilization, the Olmecas. One of the most striking aspects of the film is its rich color scheme, which seems to readily conjure an ancient world....  »
12|17|2009

What Makes Invictus a VFX Film?   [Film & Video]

By Debra Kaufman

Invictus is rife with approximately 600 visual effects shots. If VFX supervisor Michael Owens has his way, audiences won’t notice a single one....  »
11|24|2009

Driving Auto-Realism over Rough Terrain for 2012   [Studio Daily]

Jessica Clegg

10|29|2009

Reboot(y)ing Playboy's TV Funhouse   [Studio Daily]

Jessica Clegg

Michael Waldron, nailgun*'s creative and live action director, shares the experience of shooting the show open for Girls Next Door in Hef's house....  »
10|22|2009

Amelia Flies With Subtle VFX   [Film & Video]

By Bryant Frazer

Amelia is director Mira Nair's new biopic retelling the story of aviation pioneer Amelia Earhart, who disappeared over the Pacific in an attempted around-the-world solo flight. Toronto's Mr. X delivered 277 shots that not only helped put Earhart — played here by Hillary Swank — in the air, but helped maintain the necessary illusion of a period piece....  »
10|22|2009

Making Glee Sing on Fox   [Film & Video]

By Dan Daley

Glee has a split personality, says supervising sound editor John Benson, who spots the show at Technicolor Sound Services with co-supervising sound editor Gary Megregian and producer Alexis Martin. “The show is a constant contrast between the fantasy of the musical performances and the reality of a high-school drama,” he explains, emphasizing that the two never overlap. That makes the transitions from reality to fantasy and back as critical to the show’s audio as the music itself....  »
10|16|2009

Travelers Insurance Spot Visually Defines "Umbrella Coverage"   [Studio Daily]

Jessica Clegg

10|16|2009

Producer Emmanuel Benbihy on New York, I Love You   [Film & Video]

By Bryant Frazer

Producer Emmanuel Benbihy's multi-installment Cities of Love project takes the concept of the anthology film on a globe-trotting journey....  »
10|08|2009

VFX Supe Rob Moggach on Making it Not Quite Perfect   [Film & Video]

By Bryant Frazer

Asylum's bag of tricks supported the spot's story and feel, rather than creating VFX for the sake of VFX....  »

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