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| 04|25|2008 |
Matt ArmstrongJames Mathers talks with Mitch Gross, director or rentals at Abel Cine Tech, about three flavors of Phantom cameras, the new production and post workflows, including near-instant transfer of the footage and editing Phantom footage on Final Cut Pro, as well as the special adaptation Abel Cine Tech has made to the Phantom cameras. ... »
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| 09|01|2007 |
David EnglishBuying a projector used to be relatively simple. You selected the brightness level you needed, chose the features you wanted and hoped the price would fit your budget. Now the process is more complicated, in... »
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| 07|01|2007 |
Will HollowayNew camera support products, from batteries to bags, that keep you shooting on schedule and on budget. This year, I hit the floor of the National Association of Broadcasters show in Las Vegas with a clear... »
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| 02|01|2007 |
By Michael GrotticelliAfraid your new liquid hydrogen or lithium-ion camera battery, like those in recently recalled laptops, might explode during your next shoot? Relax: Batteries for pro camcorders have come of age, resulting in more capacity, smaller, lighter sizes and yes, safer and more solid power.... »
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| 08|01|2006 |
By Bruce A. JohnsonEven though camcorders are much more light-sensitive than they used to be, you still need a decent, high-quality kit to take on location.... »
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| 08|01|2006 |
We did a lot of research on products and EditShare came out on top: it was the best priced and highest quality shared media system that could use our existing Ethernet networking infrastructure. Other solutions either offered fewer seats for more money, or required a prohibitively expensive new fiber optic cable infrastructure. It was also the only solution that offered our editors the ability to work in shared Avid Projects.... »
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| 04|01|2006 |
Run-and-gun is the name of the game for producing much of the content on television today. From documentary-style news gathering to the avalanche of reality shows, production mixes have to be quick on their feet... »
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| 03|01|2006 |
By Michael GraybillHot technology picks by Michael Graybill, chief engineer, Wexler Video, Burbank, CA... »
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| 03|01|2006 |
Where would your production, live or taped, be without a switcher? These three kits, built around the Ross Video Synergy 100 switcher by Bryan Nelson of the Minnesota dealer, Alpha Video & Audio, Inc., are... »
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| 02|01|2006 |
By Nick Huston of Gotham SoundWith the introduction of file-based recorders and the coming of age of wireless microphones, productions demand more and more tracks to be able to manipulate audio after the fact. These portable packages were... »
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| 01|01|2006 |
By Wexler VideoWexler Video designed four cinema-style packages to meet a range of budgetary and creative needs.... »
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| 12|01|2005 |
By Erik HolsingerIf you shoot — especially for documentary production — you know just how unnatural it is to support your video camera for hours on end. ... »
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| 11|01|2005 |
By Bryant FrazerIt’s a good time to be a camera guy. Three years ago, who would have thought that soon you’d be able to buy a camera that shoots 1080i for less than $10,000? ... »
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| 11|01|2005 |
We asked 16x9 Inc.’s Jeff Giordano to custom build a digital cinematography package to complement JVC’s new GY-HD100U HDV camcorder. ... »
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| 08|01|2005 |
A camera like Sony's PDW-530 XDCAM is designed to go from the field to the studio, and these three kits offer lots of options. Add in a bunch of cine extras, and this 24p SD camera is ready for film-style shoots. ... »
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