04|01|2006

What I Want to See at NAB   [Studio Monthly]

Jim Feeley

Every year I join the spring pilgrimage to Las Vegas and worship at the shrine of unaffordable and unavailable equipment. Every NAB I’m impressed, inspired and frustrated; sometimes all by the same vendor...  »
03|01|2006

The Real Challenge of Web Video   [Studio Monthly]

By Jim Feeley

I have here on my desk the remains of a V-Lite VHS videocassette. It was sent to my wife a few years ago, a promotional piece encouraging people to raise money for and run in a charity marathon....  »
02|01|2006

HD Dreams - HDV Often Looks Great, But Not Always   [Studio Monthly]

By Jim Feeley

I’m in a dealer’s showroom, stuffed with equipment used by Hollywood DPs—ARRI cameras, DigiPrime lenses, etc. The owner shows me a prototype HD camera so new it’s still in an unopened box. ...  »
01|01|2006

New Year’s Resolutions for Me, You and the Industry   [Studio Monthly]

By Jim Feeley

In addition to the usual "get taxes done earlier" and "exercise more" resolutions we all set at the beginning of each year, let me suggest a few video-specific goals for 2006. The first few...  »
12|01|2005

Bargain Tool Bonanza!   [Studio Monthly]

By Jim Feeley

We spend a lot of money on our tools. So my bank account and I are always eager to find inexpensive items that let me solve real production problems, sharpen my craft or make nice year-end gifts....  »
11|01|2005

What We Are Worth and Why We Are Worth It   [Studio Monthly]

Jim Feeley

Today’s drastically lower barrier to entry for video production means every dude with a camcorder is a Director of Photography, every computer jockey with a purloined NLE is an editor and every loud mouth...  »
10|01|2005

Hands-On HDV   [Film & Video]

Compiled by Bryant Frazer, Alison Johns, Beth Marchant and Linda Romanello

Remember what DV did for standard-definition video acquisition? Ostensibly a consumer format, it opened the door for more than just accelerated home-movie production. Now HDV, which was also introduced as a consumer format, is catching on....  »
09|01|2005

Issues: Projectors for All   [Studio Monthly]

By Pete Putman

I first started covering the portable projector industry back in 1991, which seems like a lifetime ago. It was big news when Epson and InFocus announced 640 x 480 front LCD projectors in late 1993 for about...  »
08|01|2005

Playing it Safe   [Studio Monthly]

By Peter Putman

For me, InfoComm is traditionally the end of my trade show "silly season." But InfoComm is not just another show for me, what with all of the display and interface manufacturers in attendance and...  »
08|01|2005

Totems and Tools   [Studio Monthly]

By Jim Feeley

Apple will jilt the PowerPC for what Steve Jobs claims will be a long-term commitment to Intel CPUs. With the talk I hear from many Mac faithful, you’d think that my conjugal metaphor is more than...  »
07|01|2005

Flat-Panel Monitor Myths and Urban Legends   [Studio Monthly]

By Pete Putman

As I sit here in my studio and read the latest research and market price information on LCD and plasma monitors, I have to remind myself that only a decade ago, these products weren’t even a blip on...  »
07|01|2005

Unfair Use   [Studio Monthly]

By Jim Feeley

Remember when low-cost HD cameras were $60,000 and cheap HD editing systems ran $150,000? With genuinely (if not universally) useful HD tools now available for less than a tenth of those prices, some corporate...  »
06|01|2005

The Most Important Announcement at NAB Wasn’t From A Camera Or An NLE Manufacturer. It Was From A Phone Company   [Studio Monthly]

By Jim Feeley

During my four days and four nights in the Nevada desert, I glimpsed both the Promised Land and the Tower of Babel on the NAB show floor. I saw inexpensive HD cameras from Panasonic and JVC, Apple and Avid...  »
05|01|2005

I’d Rather Be Mixing   [Studio Monthly]

By Jim Feeley

One of my favorite documentary filmmakers, direct cinema pioneer Robert Drew, frequently directed as half of a two-person crew, and usually while holding a microphone, not a camera. Although I like to shoot...  »
05|01|2005

Taking 2K to the Masses   [Studio Monthly]

By Peter Putman

Over the past 12 months, there has been a lot of talk about 2K imaging, both among the home theater and professional and commercial markets. There’s no question that native 2K (1920 x 1080) front projectors...  »

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