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| 05|24|2007 |
Matt ArmstrongRE:Vision Effects announces the immediate availability of PV Feather, a per-vertex feathering control plugin for Adobe After Effects 6.5 and up.... »
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| 05|01|2007 |
Erik HolsingerAvid Mojo SDI is one of several Mojo units we’ve looked at in the past few years for Studio/monthly. Each of the previous Mojo units we tested had been fraught with difficulties. The good news is that with the SDI incarnation of Mojo, Avid has solved nearly all of the old problems.... »
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| 05|01|2007 |
Mike de la FlorWith the recent additions of Maya and MotionBuilder to its lineup, Autodesk joins the pantheon of software giants leading the VFX and animation industry. ... »
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| 04|10|2007 |
By David EnglishWith Sound Forge 9, Sony Media Software has finally delivered the goods on multichannel. Rather than awkwardly tack-on the extra tracks, as some competing programs have done, the additional tracks are fully integrated throughout the various features. ... »
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| 04|01|2007 |
By Ed HeedeNewTek's Lightwave v9 is a complete modeler, UV surfacing, 3D painting and rendering tool featuring major upgrades, such as the new Node Editor. LightWave proves again that it’s a contender by offering an essentially complete package for the price some 3D companies pay for a plug-in or version upgrade.... »
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| 04|01|2007 |
Douglas Spotted EagleThe MediaVault isn’t cheap, but if you want the biggest, toughest, fastest, safest storage system available that can be transported under one arm, nothing beats it.... »
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| 04|01|2007 |
Bruce A. JohnsonWith the RT.X2, given enough underlying computer and graphics-card horsepower, there isn’t much in the basic Premiere Pro toolkit you can’t do in real time and in two layers at once in HDV— plus more in SD... »
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| 03|01|2007 |
By Nino Del Padre
All photos by Robert Zemba/Robert Charles PhotographyEver since the introduction of the modern day video camera, digital filmmakers and producers of every kind have been striving for that elusive "film look." ... »
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| 03|01|2007 |
Derrick FreemanSorenson Squeeze packs a powerful punch. With lots of advanced features, it’s easily well worth the investment. The compression application has presets that should get novices compressing their media... »
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| 03|01|2007 |
David LeathersThe innovators at On2 have been leading the pack in the development of Internet video codecs for years. Flix Pro 8 is an encoding environment that gives the user access to advanced video codecs for converting video files into Adobe Flash compatible FLV and SWF files.... »
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| 03|01|2007 |
Kevin KilbridePanasonic’s BT-LH2600W is a stellar example of the future in LCD monitoring. A good value for widescreen SDI monitoring in this size range.... »
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| 02|01|2007 |
Will HollowayDecades ago, the motion picture industry was rocked, or maybe I should say un-rocked, by the brilliant invention of the "Steadicam" camera stabilization rig. Read about Three of the Industry’s Best Small Camera Stabilizers... »
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| 02|01|2007 |
David LeathersFilm Effects 2.5 from Nattress Productions is a rich set of filters for Apple Final Cut Pro designed to make material that originated in video formats appear as though it were actually shot in film.... »
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| 02|01|2007 |
David EnglishIn an era of increasingly specialized devices, can one projector serve two different high-end markets? That’s the goal of the Canon REALiS SX60, which could well be an excellent choice if you’re looking... »
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| 01|01|2007 |
By Ed HeedeThe words "easy" and "3D" don’t often come together. Hence, tools promising a better path for 3D tend to get plenty of attention. For its part, the Luxology team behind Modo is essentially the same one that brought Lightwave to the masses.... »
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