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| 03|29|2006 |
By Douglas Spotted EagleDuring a training and product launch event in Montreal, Canada, I was allowed to take a preproduction PDW F350 for a couple nights, and let me tell you, I’m impressed!... »
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| 03|21|2006 |
By Peter PlantecIn this DVD from Total Training, Jacob Rosenberg, post supervisor on Dust to Glory, shows how to work in different file formats, examines new tools, interface revisions and workflows for Premiere Pro 2, and gives a mountain of tips and tuttorials along the way. ... »
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| 03|09|2006 |
By Peter PlantecEmmy winner Dean Velez presents three substantial projects designed to share some his excellent expert techniques to speed and improve your creation of such things as News Bumpers, Opening Title Sequences, and he even includes a very slick Corporate Identity piece. ... »
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| 03|01|2006 |
By Kevin KilbrideWith a nearly-hermetic die-cast metal chassis and a 12-volt XLR power input backing up the traditional line-voltage connector, it was clear that Panasonic’s $3,400, WXGA-resolution BT-LH1700W monitor was... »
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| 03|01|2006 |
By Kevin KilbrideThe Sony AWS-G500 Anycast Station is a self-contained, 17-pound, 6-channel location-video switcher with integrated audio mixing and TCP/IP digital video streaming, all packaged in an enclosure about the size... »
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| 03|01|2006 |
By Peter PlantecPhotoshop is already the single most ubiquitous tool in digital video. If you’re not using Adobe’s PS version CS2, it’s definitely time to upgrade. The DV presets alone will make your life a lot easier... »
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| 03|01|2006 |
By Will HollowayIf you’re going to use video but want a film look, the GY-HD100U may very well be the most affordable and best-suited piece of equipment for that task available today. ... »
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| 02|03|2006 |
Micahel Grotticelli sits down with Sony's Bob Ott at the unveiling of the Sony XDCAM HD system.
WATCH VIDEO... »
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| 02|01|2006 |
By Erik HolsingerWhether you are "future-proofing" a production, or simply taking advantage of that extra resolution HD provides your show, shooting in high-def can provide a lot of benefits. But how do you... »
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| 02|01|2006 |
By David EnglishWhat’s the ideal workstation? If you run heavy duty, video editing programs (especially if you edit HD video or use processor-intensive plug-ins) or if you render complex 3D animations, you’ll need all the... »
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| 02|01|2006 |
By Terence CurrenOur company AlphaDogs, a post-production studio in Burbank, CA, had been looking for a shared-storage solution for more than three years. What we needed was hard to come by economically—a cross-platform system. Then we discovered Terrablock. ... »
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| 02|01|2006 |
By David LeathersApple Final Cut Pro 5 is an essential pro editing upgrade for all serious users. For starters, there are performance enhancements in almost all areas of the program, as well as many vital new features... »
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| 01|01|2006 |
By Erik HolsingerAccurate monitoring during high-definition production is absolutely critical; an SD monitor just can’t show you potential problems with your footage. From bad makeup jobs to product labels that managed to... »
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| 01|01|2006 |
By Mike CaputoIf you’ve been working crazy deadlines and have somehow missed Apple’s recent media blitz, here’s a bit of news: The company’s latest iPods now offer video support. Right after the initial launch in... »
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| 01|01|2006 |
By David EnglishIf you’re shopping for a portable projector, you know about trade-offs. You can buy a projector with the brightness level you need, but it will probably weigh more than you want. Or you can buy a projector... »
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