08|01|2005

Chasing Down the Price of a 2K DI   [Film & Video]

By George Jarrett

"We pulled off a full 2K DI for $110K, about $50K less than the lowest bid that we received." — Kyle Jackson The first film Jackson edited, Cats and Mice , was shot on Panasonic’s VariCam. The...  »
08|01|2005

Stock 101   [Film & Video]

By Bryant Frazer

1. Understand Your Licensing Needs Licensing is becoming more complicated. It’s not always obvious when a certain kind of usage will require you to buy extra rights to a piece of music or footage. As more...  »
08|01|2005

What’s Around the Photoreal Corner   [Film & Video]

By Debra Kaufman

Director Joseph Kosinski came out of engineering and architecture, where he learned and used CAD programs to design. "While learning those, I realized how powerful they are and how I could use them to...  »
08|01|2005

Flash Equals Financial Freedom   [Film & Video]

By Michelle Paster

Cartoon Network’s Hi Hi Puffy AmiYumi may just reinvent the way animators think about 2D. Many animated TV shows are still based on pencil-and-paper drawings, which are scanned into conventional animation...  »
08|01|2005

What is Digital Cinema, Anyway?   [Film & Video]

It takes a veteran editor like Brian McKernan to explain the moving target of "digital cinema." His new book Digital Cinema: the Revolution in Cinematography, Postproduction, and Distribution was...  »
07|01|2005

Bringing DI Down to Earth   [Film & Video]

By George Jarrett

If you could find them, the few DI doubters wandering about Las Vegas were nervous at the prospect of new workflows....  »
07|01|2005

Family Guy Makes a Comeback With a New Pipeline   [Film & Video]

— Michelle Paster

Thanks to the momentum generated by sales of nearly 3 million DVD box sets and repeated cable airings, Fox’s Family Guy is back by popular demand after its 2002 cancellation in season three. ...  »
07|01|2005

16 Gets More HD-Friendly   [Film & Video]

By George Jarrett and Bryant Frazer

Doing its part to bolster the position of film for episodic and documentary production, Kodak has commercialized another piece of R&D technology— and it has launched a low-contrast Super 16 stock...  »
06|21|2005

60-Second Q&A   [HD Studio]

The recently wrapped fourth season of American Idol, including its popular road auditions and live studio shows, was entirely shot and broadcast in the 720p...  »
06|07|2005

Hard Data   [HD Studio]

By Michael Grotticelli

06|07|2005

Risky Business: Shooting Without Tape   [HD Studio]

By Michael Grotticelli

With each passing day, hard-drive recording systems from S.two and the new portable Flash-based recorder from Thomson are showing up on the sets of a growing list of A-list feature film directors and DPs shooting with digital cameras....  »
06|01|2005

More HD Hot Shots: NLE Upgrades   [Studio Monthly]

By Beth Marchant

Adobe rolled out a series of OpenHD certified workstations running its complete video collection that it has opmtimized with partners HP, Dell, Microsoft, Intel and others and their off-the-shelf components...  »
06|01|2005

Steam Builds a 24p Pipe For HD Spots   [Film & Video]

By Bryant Frazer

When hired to create a series of spots driving viewers from Discovery Networks’ SD channels to Discovery HD Theater, Santa Monica’s Steam decided to do it in full HD style. Steam shot with two Sony F900...  »
05|03|2005

Issues & Agendas:   [HD Studio]

By Michael Grotticelli

Metadata — it’s one of those industry buzzwords that can make your eyes glaze over. But as the new world of digital HD imaging meets the traditional world of 35mm film, metadata has become a key to making digital productions work more efficiently...  »
05|01|2005

Case Closed?   [Studio Monthly]

By Michael Grotticelli

Sound crazy? Two companies that market such "dedicated" systems, Edirol, in Bellingham, WA, and MacroSystem Digital Video, in Boulder, CO, don’t think so. They both cater to a growing ProAV and...  »

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