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| 03|01|2005 |
By DJ JohnsonBegin With a Good Kit Before I put together my own ultimate lighting kit, I tried to think of every possible problem or need I would have on a typical shoot. The bulk of my daily production consists of... »
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| 03|01|2005 |
By Dan DaleySteven Wright’s famous one-liner “You can’t have everything — where would you put it?" has become the ultimate trope for the broadband digital era. Multichannel sound has permeated virtually every... »
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| 03|01|2005 |
By Alison JohnsTo gauge how post-production companies and their clients are adapting to change, we conducted two separate online surveys early this year (see "Our Methodology," page 44). About 500 pros responded... »
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| 03|01|2005 |
Whether or not you’re actually shooting HD, odds are you’re spending a lot of time thinking about it — scrutinizing HD images, scanning the specs of different HD cameras, or actually... »
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| 02|01|2005 |
By Michael GrotticelliA compelling new documentary traces history, mile after excruciating mile, of one of the world's most infamous road races across Mexico, The Baja 1000, and the human toll it takes.... »
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| 01|01|2005 |
By Beth MarchantThink you’ve seen everything the ubiquitous yet divine vector-based animation software can do? As developers working with Flash’s newer video features have found, the tool knows few boundaries, especially... »
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| 07|01|2004 |
By Don LevyToday, there are three primary means for storing media data: direct-attached storage, network-attached storage and storage area networks. Each means of storage has an important part to play in maximizing the... »
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| 07|01|2004 |
By Debra KaufmanAfter months of hinting that Sony Electronics could leverage its high-end home theater technology into multiplexes, the company’s executives demonstrated a prototype 4K digital cinema... »
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| 06|01|2004 |
The HD canvas is nearly six times denser in pixel information than the SD resolution screen — a dramatic increase to the file size of projects if they’re HD deliverables.... »
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| 06|01|2004 |
Go Flat? Stay CRT? It Depends... Pete Putman, CTS Columnist, AV Video Multimedia Producer and Film & Video; President Roam Consulting / Doylestown, PA Despite the switch from 4:3 to 16:9 aspect ratios and... »
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| 06|01|2004 |
Making the transition from SD to HD means opening a Pandora’s box of editorial issues. First, what aspect ratio will you cut in?... »
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| 06|01|2004 |
Alison Johns Editorial DirectorDuring preproduction on a recent spot, we recommended posting in HD for two reasons: the scenic vistas were going to look incredible and the client was going to reuse and repurpose this spot for quite a while.... »
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| 06|01|2004 |
We’ve learned to do tests with film, study a film stock’s latitude, use an exposure meter, make a very educated estimate as to how film will see things and eventually light by our instincts.... »
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| 03|01|2004 |
Data compiled by Steven Klapow"I’m in this for the long haul." "There’s steady pay in corporate work." "I put in a lot of hours—but it’s worth it." "Shrinking corporate budgets mean even less... »
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