 |
 |
| 07|19|2007 |
Matt ArmstrongAt CineGear a group of esteemed pros joined a panel discussion to talk about the 4K workflow on a couple of short films using the DALSA Origin Camera and the exerience all the way through editing and color correction. ... »
|
|
|
| 06|26|2007 |
Matt ArmstrongMichael Buday, founder of SyncVue, stopped by the AlphaDogs Editors' Lounge to demo his company's remote collaboration tool. Watch the video to see how you could leverage SyncVue. ... »
|
|
|
| 06|05|2007 |
By Michael GrotticelliBarry Russo, a veteran video image-recording specialist, talks about a DIT's role on the set — and why DIT services are increasingly in demand. ... »
|
|
|
| 05|24|2007 |
By Bryant FrazerInterview with Glenn Kennel and Daryn Okada... »
|
|
|
| 05|14|2007 |
Matt ArmstrongWatch the new features in Automatic Duck Pro Import AE v.4, including new functions for importing Avid, Final Cut, Motion and Red Giant Colorista clips and data into After Effects. ... »
|
|
|
| 04|09|2007 |
Matt ArmstrongWatch the latest AlphaDogs Editors’ Lounge to see what editors are looking for at NAB including the rumors of Final Cut 6, how to replace the deceased CRT, the ongoing struggle on managing a tapeless workflow and the increasing need for training tomorrow's editors. ... »
|
|
|
| 04|01|2007 |
Jeff Parkin and David GeistThe director and assistant editor of the upcoming film Together Again for the First Time explain how they used an iPod and Final Cut Pro for video playback during production of the indie feature. ... »
|
|
|
| 03|29|2007 |
By Ed HeedeAlong with digital cinematography, the DI is a watershed marking a transformation of old-line studio production that’s also moving well into indie film culture.... »
|
|
|
| 03|27|2007 |
Matt ArmstrongLast AlphaDog's Editors' Lounge featured cinematographers, cameramen and editors discussing their experiences working with the HDV format on episodic television, feature films and documentaries. They offer their advice on how to get the most out of HDV in production and post, and warn against what will happen if you don't. ... »
|
|
|
| 03|22|2007 |
By Debra KaufmanAs CEO of MOS Sync, Bernie Laramie has been exploring the uses of metadata in production – and he’s been working on a solution for digital dailies, which he unveiled this year at the HPA Technology Retreat.... »
|
|
|
| 03|08|2007 |
At a January 26 "Alpha Editors' Lounge" event held at Alpha Dogs in Burbank, CA, Panasonic representatives talked about the workflow and archiving issues and next big steps in the P2 product line.... »
|
|
|
| 03|01|2007 |
Douglas Spotted EagleThe answer is a resounding yes... and right now! Open any technology magazine and you’ll see the words "high definition" just about everywhere, with experts proclaiming the superiority of HD in... »
|
|
|
| 03|01|2007 |
Ivan MillerThe tools I use are Adobe After Effects, Final Cut Pro and Automatic Duck, with a Power Mac Dual G5 and an AJA Kona 2 card. My workflow goes like this: The editors cut in an Avid and give me an OMF, rather than spit out an EDL.... »
|
|
|
| 02|07|2007 |
By David Michael MaurerThe most cost effective workflow for our production
was to use two Avid Xpress Pro Systems in the field (an Apple G5
Desktop w/ Mojo and Laptop) and shoot at 23.98 fps on the Sony F900
Camera (we had two of those as well), finishing via Avid Symphony
Nitris.
... »
|
|
|
| 02|01|2007 |
James MatherNo one owner/operator can afford to have every format and piece of equipment that might be requested. But the Canon XL H1 goes a long way in helping me meet my needs with just one camera.... »
|
|
|
|
|
 |
