 |
 |
| 01|09|2007 |
By Michael GrotticelliSince its launch three years ago, EditShare in Boston has provided a line of digital video storage servers that allow nonlinear editing applications to share media and project files. This lets video editors work collaboratively over a Local Area Network. ... »
|
|
|
| 01|01|2007 |
It’s a really powerful tool for the obvious water and liquid simulation and adds another level of experimentation. But we found that because it is such a powerful particle simulator, you can use it to create a bunch of other effects, too.... »
|
|
|
| 01|01|2007 |
How do you maintain a PG rating when Janet Jackson’s clothes disappear in a flash? Good question, and one that the producers of the 2005 Super Bowl halftime show would have certainly liked to have known the answer to (or maybe not).... »
|
|
|
| 12|28|2006 |
By Noah TimanThe two-track era taught us that while the potential of split recording
could offer a superior end result, the mono production mix was still an
essential element for the post production workflow. ... »
|
|
|
| 12|20|2006 |
By Matt ArmstrongWhile today’s animation software allows the creation of these characters the task of making them move and react in a realistic manner is arduous to say the least. Pendulum Studios created their own solution for mo-cap data. ... »
|
|
|
| 12|18|2006 |
By Noah TimanIn the beginning of the portable recorder era, there was a mono synchronized
tape recorder and a simple portable mixer, and that was that. My how things have changed in the last decade, for better and worse. ... »
|
|
|
| 12|06|2006 |
By Bryant Frazer
|
|
|
| 12|01|2006 |
The drudgery of the most important part of my animation, the lip-sync, was the thorn that would keep me from finishing it. I’d draw the characters and sets and the story would seem great and ready to go, but the facial animation was always painstaking. ... »
|
|
|
| 12|01|2006 |
Jim FeeleyAs 2006 draws to a close, many of us will sit down to watch our expensive new HDTV sets, or will plan to save up to buy one in 2007. So this seems like a good time to discuss some products I’ve found that solve real-world problems at down-to-earth prices. ... »
|
|
|
| 12|01|2006 |
On the feature film The Mutant Chronicles, DP Geoff Boyle experimented with an alpha version of Silicon Imaging’s new 2K MINI camera ... »
|
|
|
| 11|01|2006 |
By Bryant FrazerIf making a Web spot is a good excuse to cut corners in production, nobody told commercial director Brandon Dickerson. ... »
|
|
|
| 11|01|2006 |
My day to day work primarily consists of color correcting television shows and feature films. Having multiple platforms in house gives me a choice of different systems to use. With all the systems on the market, I have yet to find one that performs better for my workflows.
... »
|
|
|
| 11|01|2006 |
By Michael GrotticelliIt’s clear that the potential for the widespread adoption of distributing video to cell phones, iPods and other compact portable devices is huge. That’s why everyone wants in on the craze. The amount of... »
|
|
|
| 10|01|2006 |
This installment of "Hands-On HD" marks the latest collection of pro tips and workarounds we’ve gleaned
from producers, directors, DPs, editors and audio post specialists
working on the frontlines of high-def production and post.... »
|
|
|
| 10|01|2006 |
By James MathersWith so many storage formats available today, a question we are often asked at the Digital Cinema Society is which one we recommend to archive a filmmaker’s work? ... »
|
|
|
|
|
 |
