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| 07|01|2006 |
Jim FeeleyEvery year I leave the NAB convention thinking I’ve lost weight. Miles of walking the Convention Center isles and Las Vegas streets, combined with missed meals, give me a little definition. Or so I think. ... »
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| 07|01|2006 |
By Chris Zapara of Zoic StudiosChris Zapara of Zoic Studios explains the workflow, from the animatic, CG work and 3D compositing, to make a galactic explosion on the SciFi Channel’s Battlestar Galactica... »
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| 07|01|2006 |
By Bill MegalosI spend a lot of time working with subtitles and thinking about subtitles, about how to make them easy to read and understand so they distract minimally from the visual storytelling. ... »
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| 06|21|2006 |
By Matt ArmstrongIt’s hard to find anyone, at least over the age of 30, that doesn’t hold some fond recollection of going to a drive-in theater and thus laments the steady closure of these sites across the country. ... »
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| 06|16|2006 |
By Matt ArmstrongWhat to do if an effects shot requires a motion control system but you don't have the time or money to spend on a complex, expensive motion control system? ... »
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| 06|12|2006 |
By Matt ArmstrongSailing on the horizon is the possibility for content creators and Web sites to join together via an intermediary to make money through Internet syndication. ... »
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| 06|05|2006 |
By Dan DaleyVideo can be compressed using three or four major codecs led by MPG4 and H.236. Audio can be subjected to over a dozen, including AAC, MP3, LAME and AMR narrow-band. Compression specialists are learning that bandwidth determines everything.... »
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| 06|01|2006 |
Switching to new and unproven software is always a risk. I can
certainly say I had to fight my share of doubters and critics when I
first made the decision to go with Turtle. But the software made believers out of our clients and
artists in record time... »
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| 05|25|2006 |
By Michael GrotticelliHeretofore, the IPTV sector has seen more than a few trials with
limited success. Now, however, with the easy availability of privately
held fiber optic networks, the
future for delivering video via IP looks bright.... »
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| 05|25|2006 |
Give us six minutes and we'll give you the digital intermediate workflow process.Stephen Beres of PlasterCITY Digital Post explains the steps and theory behind a sub-2K DI. ... »
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| 05|22|2006 |
By Ari Zohar Klingman,
Engineer,
Guava Studios/Freestyle Collective/Nice ShoesEngineer Ari Zohar Klingman on deploying storage technologies at Freestyle Collective, Guava Studios and Nice Shoes, including Apple Xserve, Quantum SDLT, and Maximum Throughput Sledgehammer and Xstoner2... »
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| 05|22|2006 |
By Bryant FrazerNAS v. SAN. Ethernet v. fibre-channel. From the ISIS to the Sledgehammer, decisions in the shared-storage space aren't getting much easier to make. ... »
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| 05|16|2006 |
The Dalsa Origin 4K camera has always intrigued and terrified potential users. While they may drool at capturing pristine 4K images, they also have cringed at the thought of dealing with a 4K workflow. At NAB 2006, a number of third party vendors showed products that make 4K workflow a real possibility. Root6's Content Agent allows for the quick creation of low-res proxies for a variety of post production applications... »
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| 05|12|2006 |
Shooters will be happy to be no longer tied down to fixed storage device with the now available Venom on board storage device. Couple the Viper with the Creative Bridge studio on-set and you have (almost) instant access to film-grade images. ... »
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| 05|08|2006 |
New emulsions and deft DI's have fueled new interest in 16mm. . .expect even more with Arri's introduction of the new 416 camera. Arri and Avid product managers take you through the 16mm workflow.... »
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