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| 05|01|2006 |
By Michael GrotticelliWhen the subject of digital asset management comes up, do your eyes glaze over with that tell-tale look of confusion mixed with dread? Well, it doesn’t have to leave you screaming. In fact, it can be very good for your business when implemented correctly. ... »
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| 05|01|2006 |
By Jim FeeleyEver get a piece of popcorn stuck between two teeth? Your world stops as you struggle to fix this minor dental problem. You frantically search for a toothpick, find one, get that pericarp out of your mouth and... »
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| 05|01|2006 |
I have spent the last 20 years working as a colorist with telecines and
linear-based color correction platforms, and I’ve been waiting with
much anticipation for more of the nonlinear color correction process to
evolve for commercial video post applications.... »
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| 04|24|2006 |
By STAFFHD everything, tapeless workflows, Blu-ray vs. HD DVD distribution, HDV and MegaDef cameras, 4K workflows, bigger and badder SANs — where will it all lead us? To NAB 2006 in Vegas, of course. Check back here often as the editor's of Studio Daily, Film & Video and Studio Monthly will be blogging from the frontline of NAB. ... »
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| 04|10|2006 |
By Michael CioniFor those that have been lulled into thinking HDV is the harbinger of the great democratization of production, allowing DV filmmakers access to full HD quality images, Michael Cioni, post production supervisor of PlasterCITY states simply, "Don't be fooled!"... »
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| 04|03|2006 |
By Ed HeedeWith NAB 2006, the DI movement has come into its own — and a seminal DI culture promises to transform indie filmmaking across the board. ... »
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| 04|01|2006 |
HD everything, tapeless workflows, Blu-ray vs. HD DVD distribution, bigger and badder SANs — where will it all lead us? To NAB 2006 in Vegas, of course. Now that HD is really here, with available products
at affordable prices, the bigger shift to a complete HD workflow is,
for many, finally possible.... »
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| 04|01|2006 |
Jim FeeleyEvery year I join the spring pilgrimage to Las Vegas and worship at the shrine of unaffordable and unavailable equipment. Every NAB I’m impressed, inspired and frustrated; sometimes all by the same vendor... »
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| 04|01|2006 |
BOB GIAMMARCO Mixer/Sound Designer AudioEngine|West Phoenix, AZ List: $1,495. WHY I LOVE IT : Source Connect is a Pro Tools plug-in that takes the place of an ISDN box for remote sessions. When we first did... »
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| 04|01|2006 |
Pre-vis on commercials that involve live action, visual effects and/or animation. It’s a nice way to pull difficult decisions forward in the process so
that we can avoid problems and capture opportunities earlier rather
than later.... »
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| 03|29|2006 |
Misperceptions about the HDCAM SR DI abound. First of all, don't call it an "RGB" DI. RGB refers to an uncompressed color space, as opposed to videotape's compressed YUV color space. Yes, HDCAM SR 4:4:4 offers RGB color space — but so does a 2K DI.... »
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| 03|09|2006 |
By Peter PlantecEmmy winner Dean Velez presents three substantial projects designed to share some his excellent expert techniques to speed and improve your creation of such things as News Bumpers, Opening Title Sequences, and he even includes a very slick Corporate Identity piece. ... »
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| 03|09|2006 |
By Peter PlantecThere is an ocean of DVD training out there with more flooding the market every week. It’s all supposedly designed to give you one-on-one training in just about anything you’re interested in. But how do you know which ones are worth your time and money? I’ll try to sort that out for you... »
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| 03|08|2006 |
Michael Cioni, post production supervisor of PlasterCITY Digital discusses the Pansonic AG-HVX200, its benefits and drawbacks compared with other HD cameras, and compares the post workflow of the DVCPRO HD P2 and HDV.... »
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| 03|01|2006 |
However much you know — or think you know — about HD production, there’s
always more to be learned. Just because you’re an ace HDCAM operator
doesn’t mean you’ll instinctively be able to coax gorgeous images out
of the inexpensive, option-rich handhelds that have exploded onto the
market... »
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