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| 03|01|2006 |
By Michael GrotticelliArt Donahue, a veteran field producer and photographer at WCVB-TV, the ABC affiliate in Boston, is well known throughout the New England production community for his 18 years of documentary-style TV reporting... »
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| 03|01|2006 |
By Jim FeeleyI have here on my desk the remains of a V-Lite VHS videocassette. It was sent to my wife a few years ago, a promotional piece encouraging people to raise money for and run in a charity marathon.... »
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| 03|01|2006 |
Eric Hanson CEO of Spy Post WHAT WE DID Transfer HD to data for use during the creative editorial process on an indie feature, Valley of the Heart’s Delight, without going to tape How We Did It "The... »
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| 03|01|2006 |
By Thomas JamiesonKettle of Fish went through a DI on the PC, saving the filmmakers thousands of dollars.Producer and co-founder Mark Pederson and his team are disproving the
idea that digital intermediate finishing is an exclusive and expensive
art.... »
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| 02|14|2006 |
By Debra KaufmanThe new MTV show My Own is an unusual hybrid of reality and dating show with a streak of karaoke. Much like the show, the production and post workflow is als0 a hybrid of disciplines.... »
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| 02|14|2006 |
By Debra KaufmanThe MTV show My Own, which debuted last month, is an unusual hybrid of reality and dating show with a streak of karaoke. Much like the show, the production and post workflow is also a hybrid of disciplines.... »
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| 02|01|2006 |
By Linda RomanelloNice Shoes isn't just experienced with HD, they are HD evangelists. The New York post house has not only been working with high definition for at least six years on high-end commercial spots for such clients as MTV, Pepsi, IBM and Kodak but the facility has also taken HD on the road-literally.... »
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| 02|01|2006 |
By Debra KaufmanWhat’s the best way to manage the massive amounts of footage that come hand-in-hand with reality-TV production? ... »
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| 02|01|2006 |
By Michael GrotticelliWhen you have to take the show on the road, a portable production system can pack a lot more value than mere flexibility... »
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| 02|01|2006 |
By Jim FeeleyI’m in a dealer’s showroom, stuffed with equipment used by Hollywood DPs—ARRI cameras, DigiPrime lenses, etc. The owner shows me a prototype HD camera so new it’s still in an unopened box. ... »
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| 01|06|2006 |
By Marvin A. KirsnerA new film tax incentive that was created by the Jobs Creation Act of 2004 to encourage low to middle budget films contains a serious flaw that could render it virtually unusable for many projects that this new tax break was intended to benefit.... »
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| 01|01|2006 |
By Beth MarchantCan high-def footage, shot in a compressed format at 720p/30, survive the rigors of extreme conditions and remote travel and make it safely out to HD, SD and film? Documentary filmmaker Andrew Young, armed with JVC’s GY-HD100U, decided to find out.... »
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| 01|01|2006 |
By Michael GrotticelliDon’t throw out all those videotapes yet. Valuable content may still be archived on a panoply of analog and digital tape formats, and HDV has given the MiniDV tape a new lease on life, but totally tapeless... »
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| 12|19|2005 |
By Matt ArmstrongAs the digital intermediate has quickly ushered in new, more efficient and flexible workflows, processes still vary widely from studio to studio, each using a different mixture of tools. While this allows each company to develop its own creative special sauce for digital intermediates, it also creates a host of problems ... »
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| 12|01|2005 |
By Stephen BeresTraditionally, post-production facilities bring projects online only for short periods because of the amount of space that uncompressed media occupies on a disk. Each additional step in the post process then requires a layback.... »
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