10|01|2005

Hands-On HDV   [Film & Video]

Compiled by Bryant Frazer, Alison Johns, Beth Marchant and Linda Romanello

Remember what DV did for standard-definition video acquisition? Ostensibly a consumer format, it opened the door for more than just accelerated home-movie production. Now HDV, which was also introduced as a consumer format, is catching on....  »
10|01|2005

HDV on the Brain   [Film & Video]

By Bryant Frazer

Chat with an NLE provider these days, and the subject quickly turns to HDV. Just as the HDV format helped catalyze a burst of innovation in the camera market, it continues to demand creativity on the part of software and hardware engineers...  »
10|01|2005

Great Location Audio   [Film & Video]

By Jim Feeley

An out-of-sight, out-of-mind approach to location audio can work for producers who have an experienced mixer on board. But current budget realities and new audio technology mean producers who just worry about visuals are missing half the story....  »
10|01|2005

2D Tracking: What to Do When You Need It Yesterday   [Film & Video]

By Debra Kaufman

Nice Hat Productions (Atlanta, GA) had two weeks to create four two-minute vignettes highlighting a prototype cell phone. Captured with a handheld camera, the four vignettes depict an intricate choreography...  »
09|07|2005

On the HD Set: Remote Productions Leverage the Roving Hot Spot   [HD Studio]

By Michael Grotticelli

When the Sunningdale Country Club in Scarsdale, NY, welcomed the crew of The Sopranos for a location shoot this summer, a quiet revolution was taking place in the mobile dressing rooms outside. For the first time, The Sopranos had created a roving Wi-Fi hot spot for its company....  »
09|07|2005

Storing HD Uncompressed   [HD Studio]

By Michael Grotticelli

If you thought HD video cost-effectively played out from networked servers had to be compressed, think again. ...  »
09|01|2005

Big Sound, Small Spaces   [Studio Monthly]

By Dan Daley

Is quality vs. quantity a zero-sum game? Perhaps, but the trend toward smaller studio spaces is an increasing reality in today’s production universe. Is quality vs. quantity a zero-sum game? Perhaps, but the...  »
09|01|2005

The Biz: Lost—and Found—in Translation   [Studio Monthly]

By Bob Lampkin

Every year hundreds if not thousands of new terms enter the English vocabulary. It’s such a practical language for communicating complex ideas, in fact, that English has come to form the basis of a universal...  »
09|01|2005

Color Commentary   [Film & Video]

By Bryant Frazer

If you saw The Island, this summer’s big-budget sci-fi/action adventure from director Michael Bay and DreamWorks, you’ve seen the current state of the art in digital finishing....  »
08|17|2005

60-Second Q&A: James Mathers, The Migrant FilmWorkers Company, Los Angeles, CA   [HD Studio]

Interviewed by Michael Grotticelli

Cinematographer James Mathers has been shooting for more than 20 years, having completed 25 features/TV movies, and having seen five different series from inception ...  »
08|17|2005

Hard Data: Owning Your Own   [HD Studio]

By Michael Grotticelli

In 2001, with the economy suffering and production in general in a lull, many independent shooters were renting their equipment...  »
08|02|2005

Issues & Agendas: Gateways Open for HDV into Mainstream Post Facilities   [HD Studio]

By Michael Grotticelli

Inexpensive cameras combined with low-cost computer-based edit systems have opened the door to a technical level of imagemaking ...  »
08|02|2005

Educating the Industry: HD Seminars at a Glance   [HD Studio]

By Michael Grotticelli

Sometimes when you help your clients understand a new technology and new way of working, it helps your business as well....  »
08|01|2005

Multicam Shoot Out   [Studio Monthly]

Erik Holsinger

Whether you are cutting together a reality show, sporting event or live performance, multi-camera editing is a hot commodity these days. During live events, where you don’t have the luxury of multiple takes...  »
08|01|2005

What I’m Using Now   [Studio Monthly]

Colin Hess Designer, UV/PHACTORY, New York Favorite gear: Trapcode Particular, an After Effects plug-in List: $299 Why I love it: It’s so much quicker and easier to manipulate particle systems using...  »

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