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| 09|01|2006 |
By Ken NelsonMany people don’t realize that they can customize FirstCom’s deep catalog of production music. When using our Quicktrax audio clips on DVD-ROM, you aren’t limited to just the full stereo mix, although that’s provided. ... »
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| 09|01|2006 |
By Jeff GlixmanWith surround sound becoming an integral tool in professional film, television and music recording, it’s imperative that you first determine the scope of the project at hand. Before doing anything else, assess the technical aspects in relation to the end user’s needs... »
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| 09|01|2006 |
By Daniel and Donald BerubeWe’ve been using the Focus Enhancements FireStore FS-100, which has an internal 100 GB hard disk, with the Panasonic AG-HVX200 to capture DVCPRO HD and DVCPRO 50 video clips (as well as standard DV/DVCPRO 25) in the Panasonic P2 media format.... »
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| 09|01|2006 |
By Steve OakleyThe new Motion Key filter in Boris Continuum Complete 4 does the job, almost by magic, with surprisingly good results and without the hours of labor. I’m using FCP as the host here, but any of the other supported BCC 4.0 hosts would work also. ... »
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| 08|10|2006 |
Colin Hodges, senior product specialist, Softimage Special Projects, sat down with us at SIGGRAPH to show off some of the new features of FACE|ROBOT 1.5. ... »
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| 08|09|2006 |
Gary Meyer, NUKE Sales & Product Specialist, D2 Software sat down with us at SIGGRAPH to show what makes the NUKE compsoting software unique and shows the new features of version 4.6. ... »
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| 08|01|2006 |
The Generalized Attribute Transfer Operator (GATOR) in SOFTIMAGE|XSI
lets you transfer attributes like UVs, Materials, Vertex Colors,
Envelope (Skin) Weights and even Shape Animation to and from completely
different characters.... »
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| 08|01|2006 |
By Nino del PadreUsing Pixar RenderMan’s global illumination techniques inside Maya lets you create highly realistic lighting with minimal setup. You can achieve drastically different looks by simply rotating the RenderMan Environment Light and trying different HDR images. ... »
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| 08|01|2006 |
By Matt MerkovichA typical 3ds Max scene that uses HDRI (high dynamic range images), global illumination, with lots of geometry looks beautiful, but takes a really long time to render at final quality settings. To greatly speed up final scene renders, I use this technique. This trick is renderer-agnostic and can be applied to any 3ds Max-supported rendering solution.... »
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| 08|01|2006 |
Motion is like a big playground and is actually a very deep application. Take the techniques in this tutorial and apply them to other parts and content in your project. Using blend modes on objects composited over the pre-baked Replicators can result in very interesting wipes and effects.... »
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| 08|01|2006 |
By rendering out 3D elements in Cinema 4D with multi-pass renders and object buffers you can bring them into your Adobe After Effects comps and blend them with your flat images to create the illusion of 3D, or as I like to call it, "2.5D."... »
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| 07|28|2006 |
In this tutorial instructor Jem Schofield details how to edit a storyboard with Apple Final Cut Express HD 3.5.... »
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| 07|19|2006 |
This tutorial shows how to create subtitles in Final Cut Pro and then translate them into DVD Studio Pro using the software Title Exchange by Spherico. ... »
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| 07|06|2006 |
This tutorial details how to create jittery, frenetic titles in Apple Motion. ... »
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| 07|01|2006 |
By James ThilOne of the most under-appreciated and under-utilized features in Avid Liquid is the Color Correction editor. Avid Liquid’s Color Correction editor has an amazing array of features for adjusting, correcting and balancing color.... »
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