01|01|2006

Light a Product Shot in Under an Hour   [Studio Monthly]

The product shot is typically the last shot of the day, when everyone’s tired and wants to go home. This method, which uses only one light, will help you do it quickly and easily....  »
01|01|2006

Create Confetti in After Effects 6.5 with AE’s CC Particle World Plug-in   [Studio Monthly]

With version 6.5, After Effects finally has a particle system that most people can use. No, I’m not talking about Particle Playground, which struck fear into the hearts of pros and novices alike, but CC Particle World....  »
12|01|2005

Light Rays Effect Using Boris Continuum in Final Cut Pro   [Studio Monthly]

The nine Boris Continuum Complete Rays filters offer similar functionality to produce varying lighting effects. This tutorial uses the Rays_Puffy filter, which spreads light from a source point for a soft, "puffy" appearance....  »
12|01|2005

Make Quick Client Review DVDs of Apple FCP HD Edits in DVD Studio Pro   [Studio Monthly]

On a recent broadcast commercial project, shot in Sony XDCAM, my goal was to do everything the four spots required within the Apple Final Cut Pro Studio environment, with one exception: there was no immediate reason to use DVD Studio Pro....  »
12|01|2005

Stop-Motion Looks with XSI or other CGI packages   [Studio Monthly]

This tutorial outlines the guiding principles and techniques that can give your 3D animation a traditional stop-motion look. Although this particular project was done in Softimage|XSI version 4.2, each step is generalized to apply to most 3D applications....  »
11|01|2005

Blend Modes with Filters in Avid Xpress Pro on Tiger   [Studio Monthly]

Blend modes produce dramatic looks, but they’re processing-intensive. By harnessing the power of the Tiger OS and your computer’s graphics card (GPU), Avid provides real-time compositing power....  »
11|01|2005

Make the Right Adjustments with the JVC GY-HD100U   [Studio Monthly]

The JVC GY-HD100U ProHD camera features interchangeable lenses. You can decide what glass to use for the look you want....  »
11|01|2005

Create 3D Synchronized Swimming
In Adobe After Effects
   [Studio Monthly]

The goal of this tutorial is to get multiple 3D layers in After Effects to move, rotate and otherwise dance along a 3D path....  »
10|01|2005

Combine Real-Time HD Title Rolls with Effected Video in Leitch VelocityHD   [Studio Monthly]

It’s a style you’ve probably seen at the end of theatrical features — during the rolling titles listing the credits, small windows also roll onto the screen...  »
10|01|2005

Use Compression for Better Audio Control   [Studio Monthly]

Step 1: Record dialog audio properly For best results in post, average at -12dB on the camera. Be sure that peaks are not more than -3dB. If your audio is too quiet, you’ll lose resolution/audio quality. If...  »
10|01|2005

Create a Title Sequence in Wondertouch particleIllusion   [Studio Monthly]

Using particleIllusion 3.0 from Wondertouch, you can create a flashy title sequence by quickly editing and animating a handful of preset particle emitters. ...  »
09|01|2005

Add Depth to HD Shoots with Canon HD Lenses   [Studio Monthly]

Never make the mistake of thinking that a lens is a mere accessory to the camera—especially in HD imaging....  »
09|01|2005

Get Organized in Apple Final Cut Pro   [Studio Monthly]

There are two sets of folders you need to create to get organized within Final Cut Pro: projects and media....  »
09|01|2005

Mind your Mics and Get Great Sound in the Field   [Studio Monthly]

Step 1 Carry the right mic kit Your mic kit should consist of at least one good omni-directional lavalier mic. My favorites are the Audio-Technica AT892, Sony ECM-55, or Countryman B3. All are very small, easy...  »
08|01|2005

Variable Transparency Matte Keys in Avid with Digital Juice   [Studio Monthly]

Many advanced compositing techniques are based on variable transparency matte keys. ...  »

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