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| 04|25|2008 |
Matt ArmstrongJames Mathers talks with Mitch Gross, director or rentals at Abel Cine Tech, about three flavors of Phantom cameras, the new production and post workflows, including near-instant transfer of the footage and editing Phantom footage on Final Cut Pro, as well as the special adaptation Abel Cine Tech has made to the Phantom cameras. ... »
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| 04|24|2008 |
This video demos the first part of company's new VFX architecture mogul, mogul review. Watch how mogul review allows users to track and analyze virtually every element in a project as well as provide feedback to the appropriate artists within a facility. ... »
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| 04|22|2008 |
Matt ArmstrongWes Plate, founder of Automatic Duck, demonstrates the new version 4 of Pro Export FCP which allows Final Cut Pro sequences to be exported into the Avid. ... »
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| 04|09|2008 |
Matt ArmstrongIn the third installment of Abel Cine Tech's seminar on the Sony XDCAM EX, cinematographer/producer David Leitner talks about the exceptional lens, shooting handheld, tapeless workflows and even weighs in on the MPEG-2 Long-GOP versus AVC-Intra codec debate.... »
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| 04|04|2008 |
Matt ArmstrongAvid's Bob Russo shows how to get the Red files into the Avid while preserving the metadata.... »
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| 04|04|2008 |
Matt ArmstrongIn the second video installment from Abel Cine Tech's seminar on the Sony XDCAM EX, Abel's director of Technical Development Jesse Rosen explains why the EX, from the lens all the back to the4 compression scheme and workflow, is a remarkable feat of engineering.... »
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| 04|04|2008 |
Matt ArmstrongAt the AlphaDogs Editors' Lounge Red's "Leader of the Rebellion" Ted Schilowitz demonstrated the Red Camera workflow with Apple Final Cut Pro. ... »
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| 04|04|2008 |
Matt ArmstrongCurrently the only conform/DI tool to support Red files natively, watch Assimilate Scratch in action.
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| 04|01|2008 |
I’ll show you how to make QuickTimes through RED ALERT!, RED’s image-processing utility that lets you load REDCODE RAW footage, adjust image exposure and color correction settings, and render out to 4K or 2K resolution DPX and TIFF file formats.... »
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| 04|01|2008 |
Manfred ReiffThe idea of the New York Times creative team was to create artist’s portraits influenced by Andy Warhol’s "Screen Tests" of the mid-1960s.... »
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| 03|20|2008 |
Matt ArmstrongAt the AlphaDogs' Editors' Lounge cinematographer and president of the Digital Cinema Society James Mathers discusses shooting with the RED Digital One camera, explains what the camera is, and is not, and his impressions since getting the camera last September. ... »
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| 03|20|2008 |
Matt ArmstrongIn the first part of our series of videos on the Sony XDCAM EX high definition camera, produced in association with Abel CineTech and The Producers Guild of America, director/cameraman Mark Benjamin explains shooting with this versatile camera and the different features that make it stand out.... »
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| 03|20|2008 |
Watch this tutorial to see how to quickly smooth out shaky camera footage with ProDad's Mercalli plug-in. ... »
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| 03|06|2008 |
Harry J. Frank, Freelance Motion Designer, Gray MachineThis video tutorial shows how to create a variety of unique design elements and custom settings in the new plug-in Trapcode Form. ... »
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| 03|01|2008 |
There are three ways to move footage from the Sony PMW-EX1 camcorder to Final Cut Pro. Deciding which method to use depends on your equipment and desired file format.... »
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