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| 03|03|2009 |
Matt ArmstrongPost production guru Philip Hodgetts demonstrates his new tool for Final Cut Pro, Sync N Link, for synchronizing sound and picture shot dual-system. Sync N Link does what Avid's Auto-Sync function does, plus more. Footage and sound files with the same timecode can be automatically synched with a few clicks, either before or after the edit.... »
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| 03|01|2009 |
Step 1 Launch FCP and Import a Clip Start by launching Final Cut Pro , and import a clip. We’re using the Artbeats stock clip "lake.mov." Scrub the clip to familiarize yourself with the motion that... »
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| 03|01|2009 |
by Sasa JokicA few months ago I was approached by an ad agency to do two commercials for Connecticut-based Webster Bank. It was a very challenging and complex project. It could have turned into a huge headache if it weren’t for mocha.... »
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| 02|26|2009 |
Harry FrankMotion designer Harry Frank shows how to breath new life or make a retro look with standard After Effects Lens Flare by using Shape Layers and Trapcode Shine.... »
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| 02|03|2009 |
Scott SimmonsWhy would you ever want to use an auxiliary timecode when chances are your clips already have a master timecode track? There are two very common uses.... »
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| 02|01|2009 |
Step 1 ACQUIRE YOUR ASSETS Digitize the footage and organize Avid Media Composer project bins as you would on any 24 fps HD show. To prepare the script file — we get the script e-mailed to us as a text... »
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| 02|01|2009 |
By analyzing each scene carefully, we decided to use the 3D tracking/compositing method described here for difficult scenes and 2D tracking for simpler scenes.... »
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| 01|21|2009 |
Harry FrankThis After Effects tutorial uses Radio Waves plug-in to show the usefulness of the powerful rgbToHsl and hslToRgb expression terms to control color properties.... »
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| 01|21|2009 |
Harry FrankMotion Designer Harry Frank created an animated glassy Earth as a part of the design using 3D Invigorator. Here is how to produce that same Earth in ProAnimator.... »
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| 01|08|2009 |
Watch this video to see how to use Telestream's Episode presets within Apple Compressor to encode so you don’t have to export a QuickTime out of Final Cut before encoding. Lesson includes installing the Episode plug-in for Compressor and tips on getting the best video quality.... »
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| 01|08|2009 |
eyeon Software recently released the Generation workflow management software that gives teams of artists a visual, collaborative environment to managing postproduction pipelines. Check out the three exclusive videos to see how Generation works.... »
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| 01|01|2009 |
The RED Importer plug-in for Adobe products provides full native support of RED raw files (R3D) including the ability to work with RED media at resolutions from 256 up to 4K. RED files can be imported directly into Adobe Premiere Pro or Adobe After Effects. You can choose from a variety of frame rates, aspect ratios and resolutions and have your choice of using the media on Adobe products on the Mac or Windows.... »
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| 01|01|2009 |
COPY A DEFAULT PRESET IN EPISODE The first thing you need to do in this compression workflow is open Episode and navigate to the By Workflow templates folder and copy the iPod_H264_640x480 preset located in... »
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| 12|04|2008 |
Motion designer Harry Frank shows how to use layer emitters and turbulence fields in Trapcode Particular to create a smoky/plasma design effect.... »
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| 12|01|2008 |
DCG FacePro v1.0, aimed at both the novice and experienced mocap user, is a customizable facial motion-capture plug-in designed for the Vicon BLADE system.... »
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