04|17|2007

EXCLUSIVE VIDEO DEMO: Apple Motion 3   [Studio Daily]

Matt Armstrong

Get a first look at Apple Motion 3 live from the NAB show floor. ...  »
04|17|2007

EXCLUSIVE VIDEO DEMO: Apple Color   [Studio Daily]

Matt Armstrong

Get a first look at Apple Color live from the NAB show floor....  »
04|09|2007

VIDEO TUTORIALS: Prepping Video for the Web   [Studio Daily]

Matt Armstrong

This tutorial will teach users how they can get great quality video when compressing content for downloadable streaming (web server) and real-time streaming (streaming server). ...  »
04|01|2007

Create and Tear Cloth with Maya nCloth in Version 8.5   [Studio Monthly]

Daryl Obert & Craig Barr

As the first module within Maya Nucleus, Maya nCloth is a powerful cloth simulator that’s incredibly responsive and easy to use. In this tutorial, we examine a quick and easy approach to creating a flag in Maya nCloth that not only interacts with other objects, but tears as well....  »
04|01|2007

Set up an Automated Multi-Format Encoding Workflow with Digital Rapids DRC-Stream with StreamPro   [Studio Monthly]

TJ Kudalis

While most editing systems can export to at least a couple of distribution formats, it’s not efficient in high-volume production environments — it ties up the editing system while encoding is done to each format....  »
04|01|2007

Create a Cooler LightBlast Filter in After Effects   [Studio Monthly]

Sometimes it seems as if After Effects users don’t realize that AE comes with filters built in. As a plug-in developer, I think this is great because it means people continue to have huge appetites for third-party plug-ins....  »
03|27|2007

VIDEO DEMO: New Features in Adobe Flash 9   [Studio Daily]

Matt Armstrong

Along with upgrades to many of its other tools, Adobe has released Flash 9. Read the updates and Watch Exlusive Video walking through the new UI and demonstrating the Photoshop Import functionality. ...  »
03|27|2007

VIDEO TUTORIAL: Audio Repair in Apple SoundTrack Pro   [Studio Daily]

Learn the basics of audio repair using Apple's Final Cut Pro including raising soft recordings without distortion. ...  »
03|26|2007

VIDEO TUTORIAL: Techniques for Streamlining Animation in Softimage XSI   [Studio Daily]

Matt Armstrong

Animator Damijan Satchio of UVPhactory demonstrates a few of the techniques the studio used to create the series of animated spots and teasers that take the viewer inside and swirling around a pinball machine to promote MTV's Crank Yankers and Celebrity Death Match. ...  »
03|01|2007

Conform, preview, master and convert footage with AJA Xena 2K and Adobe Premiere Pro 2.0   [Studio Monthly]

By Thad Huston

AJA XENA 2K for Windows XP has many up (SD < HD), down (HD > SD) and cross (720<->1080) conversion features that are handy in many production and post workflows....  »
03|01|2007

Build Out a Mobile Sound Design Studio from Scratch   [Studio Monthly]

By Frank Serafine

With a mobile studio you can go where your inspiration takes you as well as have the means to record in that location and then drive onto a major studio lot for final mixing or Automatic Dialogue Replacement (ADR) looping. ...  »
03|01|2007

Capture HDV in QuickTime for Editing in Apple Final Cut Studio   [Studio Monthly]

By Daniel and Donald Berube

This is a huge timesaver if you want to bring FireStore HDV into your Final Cut Studio editing workflow because the entire process of converting from.m2t to QuickTime.mov has been eliminated....  »
02|01|2007

Color Match Better in Boris Red 4.0   [Studio Monthly]

John Lafauce, Jr

Editors often find themselves needing to touch up and refine their color to get the right look. This Boris Red tutorial shows the how to use the Color Match feature that lets users quickly and accurately balance color....  »
02|01|2007

Record Four Channels of 16-bit Digital Audio with the Edirol R-4 Pro Portable Recorder   [Studio Monthly]

The new Edirol R-4 Pro portable audio recorder lets us record four channels of high-quality, 16-bit 48kHz digital audio through individual timecode in and out terminals on the recorder and a camera. ...  »
02|01|2007

Better Optimize Your Images and Audio Files in Flash   [Studio Monthly]

By Nino Del Padre

Flash’s strength is in its vector engine. Vector images are infinitely scalable with no resolution loss, unlike bitmaps, and can be animated smoothly. Since they are ultimately math coordinates to Flash, they take up very little memory....  »

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