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| 01|26|2007 |
In this tutorial, Larry Jordan demonstrates how to create animated text in Apple LiveType and add it to your video. ... »
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| 01|17|2007 |
By Frank RueterThe STMap in NUKE is a simple but powerful node that handles texture warping this way: For each pixel in the output image, it looks at the corresponding pixel of the STMap and uses its red and green values as x/y coordinates respectively to pull the right pixel from the source image.... »
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| 01|16|2007 |
Larry Jordan explains the advantages and trade-offs of various external drive solutions, compares data rates or FireWire drives vs. SATA drives, what solutions work the best and how to avoid clogging your Final Cut Pro workflow. ... »
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| 01|09|2007 |
In this tutorial, Larry Jordan demonstrates how to get optimal quality when compressing video for DVD in Apple Final Cut Pro.... »
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| 01|05|2007 |
Colin Hodges, senior product specialist, Softimage Special Projects, demonstrates the new games export pipeline in FACE|ROBOT 1.5.... »
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| 01|03|2007 |
Producer/editor Paul Mitton of Creation Trek Productions demonstrates audio editing, mixing, effects and creating a soudtrack within Avid Liquid. ... »
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| 01|01|2007 |
Darren GilesLet’s face it: it’s a big world out there, and if you’re a filmmaker, musician or content owner looking to distribute your film, video or music to a worldwide audience, the Web is one the most cost-effective places to market your wares.... »
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| 01|01|2007 |
Erik HolsingerGreen screen talent is often lit very flat, which makes it difficult to properly blend the talent in the background plate. One handy tool for dealing with this is the CC Light Sweep, a former Cycore plug-in that now comes standard in After Effects. ... »
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| 12|20|2006 |
Larry Jordan explains how to set up Final Cut Pro for an HDV project. This report comes from his multi-city Power Up with Final Cut Pro seminar tour.... »
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| 12|01|2006 |
There’s a new "warp" engine built inside the Aurorix 3 (to be released soon) plug-ins Warpoid and Whirlix. These have been re-written from scratch with performance and quality in mind. ... »
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| 12|01|2006 |
Many people are trying to transform SD video to HD. ReSizer 2.1 helps you do that, providing high-quality scaling and de-interlacing. Most SD footage has fields. To get the highest quality upconversion, it’s necessary to de-interlace the footage before upconverting.... »
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| 12|01|2006 |
Despite careful white balancing, footage sometimes ends up with an overall color cast or tint. This is often caused by mixed lighting or light reflected from colored walls, carpet and even clothing.... »
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| 12|01|2006 |
The first thing you’ll notice about Noise Industries’ FxFactory plug-ins— the only major plug-in package to support FxPlug, Apple’s modern architecture for film-quality effects — is their speed... »
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| 12|01|2006 |
Not only can you import Final Cut or Avid timelines into Adobe After Effects using Automatic Duck’s Pro Import AE for compositing or effects work, you can also do high-resolution conforms very quickly.... »
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| 12|01|2006 |
I use Nucleo Pro, along with After Effects 7, on every single project. It’s become so completely integrated into my workflow that I have already lost count of how many hours I’ve saved by using it. These setups will show you how to use Nucleo Pro to cut your regular design times in half.... »
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