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03|30|2011

Video Tutorial: Advanced 3D Wings in After Effects   [Studio Daily]

Iaenic

This tutorial, courtesy of Iaenic and Peder Norrby, shows you how to create photo-real 3D wings using Trapcode 3D Stroke in After Effects....  »
12|22|2010

Stabilize Video and Reduce Rolling Shutter with Lock & Load   [Studio Monthly]

Iain Anderson

In this video and text tutorial, Iain Anderson, an Apple Certified Trainer and editor, shows you how to stabilize video, adjust your tracking for a moving area of interest, and reduce rolling shutter with CoreMelt's Lock & Load X, part of Lock & Load Pro, for Final Cut Pro....  »
08|19|2010

Video Tutorial: Customize Vocal Tracks with Sonicfire Pro 5   [Studio Daily]

Larry Jordan

In this video tutorial, trainer Larry Jordan explains how to use SmartSound's Sonicfire Pro 5 to score a video with a multi-layered instrumental and vocal track. Adding the power of words to any video soundtrack, he says, always enhances the emotional core of the visual message....  »
06|21|2010

Video Tutorial: Particle Types and Properties in Trapcode Particular 2   [Studio Daily]

Class on Demand

Tutor Harry Frank presents an overview of different particle types in Particular 2, how their properties can be set and manipulated over time, and how they might be used to achieve specific effects like sparks and explosions, fireworks, or smoke and fog....  »
03|03|2010

Design a Title Using Artbeats HD Clips and After Effects   [Studio Monthly]

Steve Holmes

This tutorial, created to showcase a number of new clips from Artbeats, will show you some of the techniques we used here in the Energi Design studio on a recent title design for a foreign documentary called L’automne à Paris....  »
09|09|2009

Key Poorly Shot Greenscreen Footage in Premiere Pro   [Studio Monthly]

Marc Franklin

Lately, I’m being asked to do more and more with greenscreen keys. Some of the keys I get are shot really well, and the rest aren’t. This is how to deal with the bad ones....  »
08|01|2009

Create a Custom Cartoon Effect with Red Giant ToonIt 2   [Studio Monthly]

Sean Safreed

Using ToonIt is a snap, and version 2 has a nicely reorganized set of controls. ToonIt 2 features new controls for natural media right inside the plug-in, with styles such as Airbrush and Gouache paint, and new outline styles such as scratchboard....  »
07|16|2009

Build a Portable USB Power Device   [Studio Daily]

Peter Schneider

This tutorial shows how to build a USB power device from the industry-standard HIROSE 4-pin connector. The purpose of the box is to be able to charge/power small cameras and cell phones, using NP-type batteries and all HIROSE 4-pin compatible connectors. All parts are readily available from the Internet:...  »
06|23|2009

Animate Vector PDF Documents with Noise Industries FxFactory Pro   [Studio Monthly]

Vik Narayan

Add keyframes and motion blur to PDF documents featured in documentaries, news spots or training videos without bulking up your file size or render times....  »
06|01|2009

Create a Broadcast Spot and Webisode with RED and Final Cut Pro   [Studio Monthly]

OMNI Advertising and the beverage company Celsius tapped Walker/Fitzgibbon to produce a series of commercials. The latest evolution of the piece — a Webisode released on YouTube, Veoh and Vimeo — took the brand to an online audience....  »
06|01|2009

Achieve a Film Look in Video with Boris Continuum Complete FxPlug Filters   [Studio Monthly]

Peter McAuley

Boris Continuum Complete gives you four filters— BCC Deinterlace, BCC Match Grain, BCC Film Process, and BCC Film Damage—that can create the illusion that your clips originated on film as opposed to tape. The BCC Deinterlace filter can simulate telecine and reverse telecine, which is where video clips at their native rate are slowed down to 24 fps, the native frame rate for film....  »
05|01|2009

Edit to the Beat in Final Cut Pro   [Studio Monthly]

In this tutorial I’ll show you how to use filler, or slug, as placeholder clips to establish a visual rhythm for a highlight reel or basic music video. If you are newer to video editing, you may notice that your projects often start strong and end weak. Try using slug and the "Replace Edit" function to lay down a rough cut and establish a visual rhythm....  »
04|27|2009

Tracking and Compositing with mocha for Final Cut   [Studio Daily]

In this video tutorial Imagineer's Ross Shain shows how to use mocha for Final Cut to quickly track a graphic into a scene....  »
04|01|2009

Disintegrate Geometry Objects using Frantic Films Krakatoa and Autodesk 3ds Max   [Studio Monthly]

Step 1 Load and Render a Model While this approach is applicable to any geometry object, in this example I use a Lamborghini model downloaded from www.turbosquid.com . First, delete any existing animation of...  »
04|01|2009

How: Create Streaming Cell Phone Videos for a 24/7 Streaming Channel   [Studio Monthly]

Step 1 ADD A VIDEO To add a video file for encoding, navigate to your Bookmarks , select a file and drag it onto the Job Batch . The file I’m encoding is called Fish02.mov and is a 720 x 480 DV QuickTime...  »

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