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| 08|01|2006 |
By Matt MerkovichA typical 3ds Max scene that uses HDRI (high dynamic range images), global illumination, with lots of geometry looks beautiful, but takes a really long time to render at final quality settings. To greatly speed up final scene renders, I use this technique. This trick is renderer-agnostic and can be applied to any 3ds Max-supported rendering solution.... »
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| 08|01|2006 |
Motion is like a big playground and is actually a very deep application. Take the techniques in this tutorial and apply them to other parts and content in your project. Using blend modes on objects composited over the pre-baked Replicators can result in very interesting wipes and effects.... »
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| 08|01|2006 |
By rendering out 3D elements in Cinema 4D with multi-pass renders and object buffers you can bring them into your Adobe After Effects comps and blend them with your flat images to create the illusion of 3D, or as I like to call it, "2.5D."... »
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| 07|19|2006 |
This tutorial shows how to create subtitles in Final Cut Pro and then translate them into DVD Studio Pro using the software Title Exchange by Spherico. ... »
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| 07|06|2006 |
This tutorial details how to create jittery, frenetic titles in Apple Motion. ... »
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| 07|01|2006 |
By Bill MegalosMost of the films I make for NGOs in developing countries are in languages I don’t speak. Here’s how I work without worry in Apple Final Cut Pro. ... »
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| 07|01|2006 |
By Bruce A. JohnsonGetting precise focus has always been a bit of an issue with the XL series, and now that it's shooting HDV it has lots of company. To try and alleviate this pain, Canon has finally added something I wish the XL series had from the start, a peaking button.... »
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| 06|26|2006 |
This tutorial shows how to use the Blink filter in Apple Final Cut Pro to create a frenetic style especially suited to action sequences.
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| 06|19|2006 |
This tutorial shows shows how to create layers and add motion to an animated clip in Flash 8. ... »
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| 06|19|2006 |
This tutorial shows how to use a trace statement to test out text properties, how the help system can give you information about properties and how to set text into a field... »
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| 06|12|2006 |
In this training, Terry Nauheim, visual artist and media professor, focuses on fixing effects by keyframing within the the of Adobe Premiere Pro 2 timeline.... »
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| 06|05|2006 |
Tour through Avid Studio Tookit, Version 5.5, for Avid Xpress Pro and Avid Media Composer that allow you to author SD and HD DVD.... »
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| 06|01|2006 |
By Jody LeggioSometimes you see different angles of the same action, sometimes there are simultaneous sub-plots happening at the same time. It’s absolutely essential to view all five screens simultaneously during the offline process to monitor how they interact with each other. ... »
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| 06|01|2006 |
By John StanchSTEP 1 CREATE A ROUGH COMET PATH Start by doing the normal After Effects stuff. Make a new composition with your footage in place and create a new comp-sized solid above your footage. Now, apply the 3D Stroke... »
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| 06|01|2006 |
By Gray MarshallSTEP 1 CAREFULLY SELECT YOUR SHOTS When compositing faces digitally, it’s important to develop a process to cut down on time and keep the production budget on target. This begins with shooting. Often, when a... »
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