07|19|2007

Click-thru tutorial: ParticleIllusion   [Studio Daily]

Matt Armstrong

In this tutorial Alan Lorence of wondertouch gives a glimpse of what ParticleIllusion can do for your production. ...  »
07|19|2007

VIDEO TUTORIAL: Enhanced Open GL in Cinema4D   [Studio Daily]

In this tutorial we take a look at the new features Enhanced Open GL in version 10 of Cinema4D and its capabilities for accurate viewing and creation of color, shading, lighting and textures...  »
07|01|2007

Prepare a Presentation with Grass Valley’s Indigo AV Mixer   [Studio Monthly]

Chris T. Merrill

Start simple. With a mixer as powerful as Indigo, it’s tempting to throw at it everything it’s capable of doing, all at once....  »
07|01|2007

Create a Broadcast Show Opener with Boris RED 4   [Studio Monthly]

For this tutorial, start with the Boris RED Cylinder track and apply a movie file of the U.S. flag waving to the Face track . This concave flag serves as the backdrop for the arena. ...  »
07|01|2007

Remix Killer Audio for Video with Sony Vegas 7   [Studio Monthly]

Aundre Oldacre

The intro is probably the most important part of the mix. For this tutorial first pick a popular beat with a tempo somewhere in the middle of all the vocal tracks in your main source. ...  »
06|21|2007

Click-thru Tutorial: Magic Bullet Looks   [Studio Daily]

In this tutorial, creator of Magic Bullet and veteran visual effects artist Stu Maschwitz demonstrates the tools within the finishing app Magic Bullet Looks....  »
06|14|2007

VIDEO TUTORIAL: Using Cinema 4D and BodyPaint with After Effects   [Studio Daily]

Paul Baab of Maxon demonstrates some key techniques of using Cinema 4D in conjucntion with After Effects, as well at the power of BodyPaint. ...  »
06|14|2007

Click-thru Tutorial: GenArts Sapphire   [Studio Daily]

Gary Oberbrunner of GenArts gives an overview of Sapphire plug-ins....  »
06|01|2007

Add HDV Footage to a DVCPRO HD Project with FCP Media Manager   [Studio Monthly]

Daniel and Donald Berube

In this tutorial learn how to properly recompress HDV footage and incorprate it in your edit. ...  »
06|01|2007

Create a Reliable and High-Res Review Session with Skype and syncVUEpro   [Studio Monthly]

Michael Buday

Today, most of us use the Internet as our "courier" service, posting media files online for clients to download and review. But the process is still fairly crude and, for the most part, doesn’t allow us to truly interact with the client during the review process....  »
05|30|2007

First Look at Avid ScriptSync   [Studio Daily]

Matt Armstrong

At NAB Avid introduced Media Composer v2.7 with ScriptSync, a script-based editing tool with phonetic speech recognition technology to automatically sync text with media, eliminating the need to manually insert sync points into the media....  »
05|14|2007

Click-thru Tutorial: Automatic Duck Pro Import AE   [Studio Daily]

Matt Armstrong

Watch the new features in Automatic Duck Pro Import AE v.4, including new functions for importing Avid, Final Cut, Motion and Red Giant Colorista clips and data into After Effects. ...  »
05|08|2007

VIDEO TUTORIAL: Customize Fill Colors in Flash 9   [Studio Daily]

This tutorial shows how to create customized fill colors in Flash, save them to a palette and mix and match them in gradients. ...  »
05|01|2007

Work Faster with FCP Clips in After Effects with Automatic Duck Pro Import AE 4.0   [Studio Monthly]

By Wes Plate

The easiest part of the entire process is the translation from Final Cut Pro to After Effects. Automatic Duck’s Pro Import AE lives in the After Effects’ Import submenu....  »
05|01|2007

Create a Tracking Blur in NewTek SpeedEDIT   [Studio Monthly]

By Bill Mills

SpeedEDIT is one great resolution-independent NLE, but some features need to be uncovered before you can tap the software’s full potential. For example, it’s easy to overlook some of Control Tree’s best features because they aren’t obvious....  »

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