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| 03|01|2007 |
By Frank SerafineWith a mobile studio you can go where your inspiration takes you as well as have the means to record in that location and then drive onto a major studio lot for final mixing or Automatic Dialogue Replacement (ADR) looping. ... »
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| 03|01|2007 |
By Daniel and Donald BerubeThis is a huge timesaver if you want to bring FireStore HDV into your Final Cut Studio editing workflow because the entire process of converting from.m2t to QuickTime.mov has been eliminated.... »
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| 02|01|2007 |
John Lafauce, JrEditors often find themselves needing to touch up and refine their color to get the right look. This Boris Red tutorial shows the how to use the Color Match feature that lets users quickly and accurately balance color.... »
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| 02|01|2007 |
The new Edirol R-4 Pro portable audio recorder lets us record four channels of high-quality, 16-bit 48kHz digital audio through individual timecode in and out terminals on the recorder and a camera. ... »
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| 02|01|2007 |
By Nino Del PadreFlash’s strength is in its vector engine. Vector images are infinitely scalable with no resolution loss, unlike bitmaps, and can be animated smoothly. Since they are ultimately math coordinates to Flash, they take up very little memory.... »
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| 01|17|2007 |
By Frank RueterThe STMap in NUKE is a simple but powerful node that handles texture warping this way: For each pixel in the output image, it looks at the corresponding pixel of the STMap and uses its red and green values as x/y coordinates respectively to pull the right pixel from the source image.... »
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| 01|09|2007 |
In this tutorial, Larry Jordan demonstrates how to get optimal quality when compressing video for DVD in Apple Final Cut Pro.... »
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| 01|05|2007 |
Colin Hodges, senior product specialist, Softimage Special Projects, demonstrates the new games export pipeline in FACE|ROBOT 1.5.... »
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| 01|03|2007 |
Producer/editor Paul Mitton of Creation Trek Productions demonstrates audio editing, mixing, effects and creating a soudtrack within Avid Liquid. ... »
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| 01|01|2007 |
Erik HolsingerGreen screen talent is often lit very flat, which makes it difficult to properly blend the talent in the background plate. One handy tool for dealing with this is the CC Light Sweep, a former Cycore plug-in that now comes standard in After Effects. ... »
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| 12|20|2006 |
Larry Jordan explains how to set up Final Cut Pro for an HDV project. This report comes from his multi-city Power Up with Final Cut Pro seminar tour.... »
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| 12|01|2006 |
There’s a new "warp" engine built inside the Aurorix 3 (to be released soon) plug-ins Warpoid and Whirlix. These have been re-written from scratch with performance and quality in mind. ... »
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| 12|01|2006 |
Many people are trying to transform SD video to HD. ReSizer 2.1 helps you do that, providing high-quality scaling and de-interlacing. Most SD footage has fields. To get the highest quality upconversion, it’s necessary to de-interlace the footage before upconverting.... »
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| 12|01|2006 |
Despite careful white balancing, footage sometimes ends up with an overall color cast or tint. This is often caused by mixed lighting or light reflected from colored walls, carpet and even clothing.... »
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| 12|01|2006 |
The first thing you’ll notice about Noise Industries’ FxFactory plug-ins— the only major plug-in package to support FxPlug, Apple’s modern architecture for film-quality effects — is their speed... »
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