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| 12|01|2006 |
Not only can you import Final Cut or Avid timelines into Adobe After Effects using Automatic Duck’s Pro Import AE for compositing or effects work, you can also do high-resolution conforms very quickly.... »
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| 12|01|2006 |
I use Nucleo Pro, along with After Effects 7, on every single project. It’s become so completely integrated into my workflow that I have already lost count of how many hours I’ve saved by using it. These setups will show you how to use Nucleo Pro to cut your regular design times in half.... »
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| 12|01|2006 |
The Tinderbox plug-ins have long been a wonderful set to have in your After Effects toolbox. While specialized, the Tinderbox plug-ins are invaluable when you need them.... »
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| 12|01|2006 |
Unlike other film-look plug-ins that give you a preset for some random film stock you’ve never heard of, Magic Bullet presets are based on popular color treatments and color grading styles found in well-known movies. ... »
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| 12|01|2006 |
The more than 1,800 particle emitters that ship with Wondertouch particleIllusion 3.0 can be used as-is for quick particle effect solutions. But for those who want more, they also are great starting points from which to make enhanced or completely new effects.... »
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| 12|01|2006 |
Your matchmove work in Boujou will be significantly more accurate and even easier if you plan your shoot to include lots of distinct points of contrast spread throughout the 3D space in front of your camera. ... »
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| 12|01|2006 |
Start by creating a composition by going to Composition>New and then adding a new solid layer by choosing Layer>New>Solid, and naming it "Text Layer." ... »
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| 12|01|2006 |
MPEG Streamclip is a powerful yet free converter, player and editor for Mac and Windows. Some of the files that users can import into MPEG Streamclip are QuickTime, DV, AVI, MPEG-2 and VOB files.... »
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| 11|29|2006 |
Producer/editor Paul Mitton of Creation Trek Productions demonstrates how to output your project to a DVD in Avid Liquid, including creating menus and chapter points. ... »
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| 11|27|2006 |
By Douglas Spotted EagleWith widescreen display becoming the norm in US and other cultural societies, and hours of tape that have been acquired in 4:3 modes, editors/producers are faced with a few new choices as to how to make their existing SD footage fit in the world of HD. ... »
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| 11|13|2006 |
Producer/editor Paul Mitton of Creation Trek Productions demonstrates a number of visual effects techniques in Avid Liquid including color correction, animated text and keyframing. ... »
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| 11|01|2006 |
By Aaron SchurmanSplines in MAXON’s Cinema 4D are great to use as paths for Trapcode Particular particles in After Effects to follow. The Cinema 4D bezier tools and multiple views allow a much easier approach to motion path creation than trying to move a particle emitter around in After Effects. ... »
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| 11|01|2006 |
By Daniel and Donald BerubeThe Convergent Design HD-Connect SI converter box ($995) integrates video, audio, timecode and deck control into a simple-to-use, cost-effective unit. The HDV to HD/SD-SDI box works with Sony, JVC and Canon HDV decks/camcorders. ... »
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| 11|01|2006 |
For subgrouping tracks in Logic, there’s no need for Aux tracks. A Bus in Logic serves as both a Bus and Aux with a default output to your Output Object. You can apply automation and processing on the Bus.
Don’t be alarmed by an erratic picture when bouncing your mix. It happens all the time and has no bearing on your audio output.
Under Options/Movies/Export Audio to Movie will pop your mix into the QuickTime movie.... »
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| 10|20|2006 |
By Paul MittonProducer/editor Paul Mitton of Creation Trek Productions demonstrates how to capture video from a camcorder directly into Avid Liquid. »... »
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