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| 10|09|2006 |
Producer/editor Paul Mitton of Creation Trek Productions demonstrates how to capture video from a camcorder directly into Avid Liquid. ... »
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| 10|01|2006 |
By Thomas Strodel and Lori NewmanAlways first consider the logo elements, their shapes, different sizes
and the context of the company itself.Our animator, Lori Newman,
worked with my company’s new logo, designed in Adobe Illustrator, in
this way before sketching out several animation ideas... »
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| 10|01|2006 |
By Derrick FreemanThis tutorial shows you how to create Flash downloadable streaming
videos as linked FLV and SWF files you can then place on a Web server.... »
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| 09|26|2006 |
By Paul MittonProducer/editor Paul Mitton of Creation Trek Productions demonstrates essential editing techniques in Avid Liquid.... »
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| 09|18|2006 |
Mark Schoennagel, senior 3D animator at Softimage|XSI, shows how to use the Generalized Attribute Transfer Operator (GATOR) in XSI to transfer UV coordinates and shape animations to and from completely different characters.... »
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| 09|11|2006 |
By Marc FranklinWhen Pinnacle Systems decided to end its relationship with Adobe, it meant that their popular Hollywood FX transitions plug-ins did not work in the new Premiere Pro. But never fear, here is the solution to get those plug-ins to work with Premiere Pro 2. ... »
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| 09|01|2006 |
By Jeff GlixmanWith surround sound becoming an integral tool in professional film, television and music recording, it’s imperative that you first determine the scope of the project at hand. Before doing anything else, assess the technical aspects in relation to the end user’s needs... »
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| 09|01|2006 |
By Daniel and Donald BerubeWe’ve been using the Focus Enhancements FireStore FS-100, which has an internal 100 GB hard disk, with the Panasonic AG-HVX200 to capture DVCPRO HD and DVCPRO 50 video clips (as well as standard DV/DVCPRO 25) in the Panasonic P2 media format.... »
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| 09|01|2006 |
By Steve OakleyThe new Motion Key filter in Boris Continuum Complete 4 does the job, almost by magic, with surprisingly good results and without the hours of labor. I’m using FCP as the host here, but any of the other supported BCC 4.0 hosts would work also. ... »
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| 08|10|2006 |
Colin Hodges, senior product specialist, Softimage Special Projects, sat down with us at SIGGRAPH to show off some of the new features of FACE|ROBOT 1.5. ... »
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| 08|01|2006 |
By Nino del PadreUsing Pixar RenderMan’s global illumination techniques inside Maya lets you create highly realistic lighting with minimal setup. You can achieve drastically different looks by simply rotating the RenderMan Environment Light and trying different HDR images. ... »
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| 08|01|2006 |
By Matt MerkovichA typical 3ds Max scene that uses HDRI (high dynamic range images), global illumination, with lots of geometry looks beautiful, but takes a really long time to render at final quality settings. To greatly speed up final scene renders, I use this technique. This trick is renderer-agnostic and can be applied to any 3ds Max-supported rendering solution.... »
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| 08|01|2006 |
Motion is like a big playground and is actually a very deep application. Take the techniques in this tutorial and apply them to other parts and content in your project. Using blend modes on objects composited over the pre-baked Replicators can result in very interesting wipes and effects.... »
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| 08|01|2006 |
By rendering out 3D elements in Cinema 4D with multi-pass renders and object buffers you can bring them into your Adobe After Effects comps and blend them with your flat images to create the illusion of 3D, or as I like to call it, "2.5D."... »
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| 07|19|2006 |
This tutorial shows how to create subtitles in Final Cut Pro and then translate them into DVD Studio Pro using the software Title Exchange by Spherico. ... »
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