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| 07|16|2009 |
Peter SchneiderThis tutorial shows how to build a USB power device from the industry-standard HIROSE 4-pin connector. The purpose of the box is to be able to charge/power small cameras and cell phones, using NP-type batteries and all HIROSE 4-pin compatible connectors. All parts are readily available from the Internet:... »
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| 06|01|2009 |
OMNI Advertising and the beverage company Celsius tapped Walker/Fitzgibbon to produce a series of commercials. The latest evolution of the piece — a Webisode released on YouTube, Veoh and Vimeo — took the brand to an online audience.... »
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| 05|01|2009 |
In this tutorial I’ll show you how to use filler, or slug, as placeholder clips to establish a visual rhythm for a highlight reel or basic music video. If you are newer to video editing, you may notice that your projects often start strong and end weak. Try using slug and the "Replace Edit" function to lay down a rough cut and establish a visual rhythm.... »
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| 04|27|2009 |
In this video tutorial Imagineer's Ross Shain shows how to use mocha for Final Cut to quickly track a graphic into a scene.... »
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| 03|27|2009 |
Class On DemandWatch this video below from Class On Demand to see how to output a file to a variety of different formats at the same time with a few simple clicks. See how to use the Media Encoder to render your After Effects comps as well.... »
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| 03|03|2009 |
Matt ArmstrongPost production guru Philip Hodgetts demonstrates his new tool for Final Cut Pro, Sync N Link, for synchronizing sound and picture shot dual-system. Sync N Link does what Avid's Auto-Sync function does, plus more. Footage and sound files with the same timecode can be automatically synched with a few clicks, either before or after the edit.... »
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| 02|03|2009 |
Scott SimmonsWhy would you ever want to use an auxiliary timecode when chances are your clips already have a master timecode track? There are two very common uses.... »
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| 02|01|2009 |
Step 1 ACQUIRE YOUR ASSETS Digitize the footage and organize Avid Media Composer project bins as you would on any 24 fps HD show. To prepare the script file — we get the script e-mailed to us as a text... »
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| 11|01|2008 |
Lonzell WatsonOnce you have exhausted your options for transitions under the effects tab, why not try some filter effects for unique transitions?... »
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| 10|28|2008 |
Matt ArmstrongIn this video from the AlphaDogs' Editors' Lounge, Kevan O'Brien, systems engineer for Adobe, demonstrates how to to edit Red footage in Premiere Pro.... »
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| 10|28|2008 |
Matt ArmstrongIn this video from the AlphaDogs Editors' Lounge, filmmaker Jacob Rosenberg of Bandito Brothers demonstrates the new ways to associate metadata to media with On Location (formerly Serious Magic's DV Rack), which has a revamped interface and new tools.... »
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| 10|28|2008 |
Matt ArmstrongIn this video from the AlphaDogs' Editors' Lounge, Kevan O'Brien, systems engineer for Adobe, demonstrates the workflow between Final Cut Pro and Adobe CS4.... »
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| 10|28|2008 |
Matt ArmstrongFrom the AlphaDogs Editors' Lounge, filmmaker Jacob Rosenberg of Bandito Brothers shows how to use the "Replae with After Effects Compostion" tool from Premiere to jump back and forth from Premiere to After Effects timelines.... »
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| 10|28|2008 |
Matt ArmstrongIn this video from the AlphaDogs Editors' Lounge, filmmaker Jacob Rosenberg of Bandito Brothers demonstrates the new features in Adobe Soundbooth CS4 as well as the improved integration with Premiere Pro.... »
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| 10|28|2008 |
Matt ArmstrongIn this video from the AlphaDogs Editors' Lounge, filmmaker Jacob Rosenberg of Bandito Brothers demonstrates the new intelligent tapeless workflows in Premiere Pro CS4 how to use the powerful Speech Search function that automatically provides a transcript of the audio and the ability to search video by dialogue. Watch how you can even include this search function in Flash files.... »
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