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| 03|01|2007 |
By Daniel and Donald BerubeThis is a huge timesaver if you want to bring FireStore HDV into your Final Cut Studio editing workflow because the entire process of converting from.m2t to QuickTime.mov has been eliminated.... »
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| 02|01|2007 |
John Lafauce, JrEditors often find themselves needing to touch up and refine their color to get the right look. This Boris Red tutorial shows the how to use the Color Match feature that lets users quickly and accurately balance color.... »
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| 02|01|2007 |
The new Edirol R-4 Pro portable audio recorder lets us record four channels of high-quality, 16-bit 48kHz digital audio through individual timecode in and out terminals on the recorder and a camera. ... »
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| 01|09|2007 |
In this tutorial, Larry Jordan demonstrates how to get optimal quality when compressing video for DVD in Apple Final Cut Pro.... »
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| 12|01|2006 |
There’s a new "warp" engine built inside the Aurorix 3 (to be released soon) plug-ins Warpoid and Whirlix. These have been re-written from scratch with performance and quality in mind. ... »
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| 12|01|2006 |
Many people are trying to transform SD video to HD. ReSizer 2.1 helps you do that, providing high-quality scaling and de-interlacing. Most SD footage has fields. To get the highest quality upconversion, it’s necessary to de-interlace the footage before upconverting.... »
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| 12|01|2006 |
The first thing you’ll notice about Noise Industries’ FxFactory plug-ins— the only major plug-in package to support FxPlug, Apple’s modern architecture for film-quality effects — is their speed... »
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| 12|01|2006 |
Not only can you import Final Cut or Avid timelines into Adobe After Effects using Automatic Duck’s Pro Import AE for compositing or effects work, you can also do high-resolution conforms very quickly.... »
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| 12|01|2006 |
MPEG Streamclip is a powerful yet free converter, player and editor for Mac and Windows. Some of the files that users can import into MPEG Streamclip are QuickTime, DV, AVI, MPEG-2 and VOB files.... »
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| 11|29|2006 |
Producer/editor Paul Mitton of Creation Trek Productions demonstrates how to output your project to a DVD in Avid Liquid, including creating menus and chapter points. ... »
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| 11|27|2006 |
By Douglas Spotted EagleWith widescreen display becoming the norm in US and other cultural societies, and hours of tape that have been acquired in 4:3 modes, editors/producers are faced with a few new choices as to how to make their existing SD footage fit in the world of HD. ... »
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| 11|13|2006 |
Producer/editor Paul Mitton of Creation Trek Productions demonstrates a number of visual effects techniques in Avid Liquid including color correction, animated text and keyframing. ... »
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| 11|01|2006 |
By Daniel and Donald BerubeThe Convergent Design HD-Connect SI converter box ($995) integrates video, audio, timecode and deck control into a simple-to-use, cost-effective unit. The HDV to HD/SD-SDI box works with Sony, JVC and Canon HDV decks/camcorders. ... »
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| 11|01|2006 |
For subgrouping tracks in Logic, there’s no need for Aux tracks. A Bus in Logic serves as both a Bus and Aux with a default output to your Output Object. You can apply automation and processing on the Bus.
Don’t be alarmed by an erratic picture when bouncing your mix. It happens all the time and has no bearing on your audio output.
Under Options/Movies/Export Audio to Movie will pop your mix into the QuickTime movie.... »
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| 10|20|2006 |
By Paul MittonProducer/editor Paul Mitton of Creation Trek Productions demonstrates how to capture video from a camcorder directly into Avid Liquid. »... »
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