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11|30|2011

Video: Create a Slo-Mo Shot with Twixtor in Sony Vegas   [Studio Daily]

Beth Marchant

In this ten minute video, RE:Vision Effects' Lori Freitag walks you through the basics in retiming and keyframing sequences to give you the kind of slow-motion shot you'd get from shooting with a high-speed camera....  »
11|30|2011

Video: Create Broadcast Graphics with 3D Particles in Boris Continuum Complete 8 AE   [Studio Daily]

Beth Marchant

In this 28-minute training video, John Dickinson, who created the training site Motionworks, demonstrates how to create broadcast graphics with particles using Boris Continuum Complete 8 for After Effects....  »
10|10|2011

Boost a Scene with 2K Stock Effects in After Effects   [Studio Daily]

Beth Marchant

Honeyhouse Films, a new online stock footage source that went live this weekend, has just released a set of affordable royalty-free 2K weather, space and ocean stock footage and alpha-channel visual effects aimed at film-resolution projects. This tutorial shows you how to quickly pop a few fantasy planets into your next project....  »
07|26|2011

Video Tutorial: Sync and Fix 3D Clips in Final Cut Pro X   [Studio Monthly]

Beth Marchant

This tutorial, from Stereo3D Toolbox creator and stereographer Tim Dashwood, shows you how to both sync and check stereo alignment inside Final Cut Pro X with his recently updated plug-in suite Stereo3D Toolbox LE v.3.0....  »
07|07|2011

How to Map a Keyboard Shortcut to Extend Edit in Premiere Pro   [Studio Daily]

Beth Marchant

If you're in the process of transitioning to Premiere Pro, creating a master list of the NLE's keyboard shortcuts should be your first priority. Beyond that, it can be even more helpful to customize shortcuts that aren't already locked down with keystrokes you know you'll remember when the time comes....  »
06|30|2011

A Look Inside Red Giant's Looks 2   [Studio Monthly]

Beth Marchant

In this tour of Red Giant's Looks 2 package, released on Tuesday, Aharon Rabinowitz shows you how to play with the new lens distortion tool, find more control in the edge softness and vignette tools, and bring a number of other stylized, retro and talent-perfecting looks to your next project....  »
05|12|2010

Video Tutorial: Avid Media Composer 5   [Studio Daily]

Beth Marchant

Avid’s Bob Russo highlights some of the new features in Media Composer 5, including native RED and QuickTime support....  »
04|28|2010

Top Spot: The ABC's of Animation   [Studio Daily]

Beth Marchant

New Zealand's Cirkus Animation uses cheeseball style to satirize (and gently instruct clients on) the review and approval process...  »
01|08|2010

Record, Playout SD/HD at Live Events with the Grass Valley T2 iDDR   [Studio Monthly]

M. Ray Brooksby

This tutorial explains how to record clips, import media from other digital devices, play and trim clips, and finally how to create a playlist, first in Front Panel Mode, then in Workstation Mode....  »
09|09|2009

Key Poorly Shot Greenscreen Footage in Premiere Pro   [Studio Monthly]

Marc Franklin

Lately, I’m being asked to do more and more with greenscreen keys. Some of the keys I get are shot really well, and the rest aren’t. This is how to deal with the bad ones....  »
08|01|2009

Create a Custom Cartoon Effect with Red Giant ToonIt 2   [Studio Monthly]

Sean Safreed

Using ToonIt is a snap, and version 2 has a nicely reorganized set of controls. ToonIt 2 features new controls for natural media right inside the plug-in, with styles such as Airbrush and Gouache paint, and new outline styles such as scratchboard....  »
07|16|2009

Build a Portable USB Power Device   [Studio Daily]

Peter Schneider

This tutorial shows how to build a USB power device from the industry-standard HIROSE 4-pin connector. The purpose of the box is to be able to charge/power small cameras and cell phones, using NP-type batteries and all HIROSE 4-pin compatible connectors. All parts are readily available from the Internet:...  »
06|23|2009

Animate Vector PDF Documents with Noise Industries FxFactory Pro   [Studio Monthly]

Vik Narayan

Add keyframes and motion blur to PDF documents featured in documentaries, news spots or training videos without bulking up your file size or render times....  »
06|01|2009

Achieve a Film Look in Video with Boris Continuum Complete FxPlug Filters   [Studio Monthly]

Peter McAuley

Boris Continuum Complete gives you four filters— BCC Deinterlace, BCC Match Grain, BCC Film Process, and BCC Film Damage—that can create the illusion that your clips originated on film as opposed to tape. The BCC Deinterlace filter can simulate telecine and reverse telecine, which is where video clips at their native rate are slowed down to 24 fps, the native frame rate for film....  »
05|01|2009

Edit to the Beat in Final Cut Pro   [Studio Monthly]

In this tutorial I’ll show you how to use filler, or slug, as placeholder clips to establish a visual rhythm for a highlight reel or basic music video. If you are newer to video editing, you may notice that your projects often start strong and end weak. Try using slug and the "Replace Edit" function to lay down a rough cut and establish a visual rhythm....  »

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