08|17|2006

VFX Commentary on Making Billions of Beauties   [Studio Daily]

By Matt Armstrong

In this video from SIGGRAPH, joint head of 3D at visual effects company The Mill, Jordi Bares, explains how they used Massive software to created billions of bodacious beauties for Lynx antiperspirant. The :60, directed by Frederick Bond via MJZ, features hundreds of thousands of blondes, brunettes and Asian women flocking from all corners of the earth to capture the ultimate prize: a man scented with Lynx. ...  »
08|14|2006

Panavision Genesis Improvements and the new Hylén Lens System   [Studio Daily]

At CineGear, Panavision showed the subtle but significant updates to the Genesis camera and showed off the new Hylén System for on-set, in-camera foucs effects. ...  »
08|14|2006

Mova Contour: A Mo-Cap Revolution   [Studio Daily]

The hit of SIGGRAPH was undoubtedly the Mova Countour motion capture system, a markerless system using makeup and rapidly flashing lights, both invisible to the naked eye, capable of recording movements as subtle as flaring nostrils....  »
08|14|2006

Create CG Characters in Minutes with Darwin Dimensions’ Evolver   [Studio Daily]

Darwin Dimensions unveiled its evolver software that allows the creation of customized, fully-rigged, humanoid characters within minutes. ...  »
08|11|2006

Previs Starts in the Flame Suite at Mr. Wonderful   [Film & Video]

By Bryant Frazer

When Mr. Wonderful's creative director, Beirne Lowry, sat down earlier this year to work on a promo for OLN's coverage of the Stanley Cup finals, he worked in Flame as much as possible, starting with previs, partly because it's a very fast way to visualize and figuring out lighting schemes....  »
08|10|2006

First Look at Kodak Look Manager 2 (VIDEO)   [Studio Daily]

Peter Postma sales manager for Digital Hybrid shows off the new features and tools of the Kodak Look Manager version 2.0, which features a new user interface. The Look Manager system allows cinematographers to set the color correction on set so that the colorist knows how to time the dailies. ...  »
08|10|2006

Click-thru Tutorial: Softimage FACE ROBOT 1.5   [Studio Daily]

Colin Hodges, senior product specialist, Softimage Special Projects, sat down with us at SIGGRAPH to show off some of the new features of FACE|ROBOT 1.5. ...  »
08|09|2006

Click-thru Tutorial: NUKE 4.6   [Studio Daily]

Gary Meyer, NUKE Sales & Product Specialist, D2 Software sat down with us at SIGGRAPH to show what makes the NUKE compsoting software unique and shows the new features of version 4.6. ...  »
08|09|2006

Interview with DPs Laszlo Kovacs and George Spiro Dibie   [Studio Daily]

Debra Kaufman caught up with legendary cinematographers Laszlo Kovacs and George Spiro Dibie to talk about the role of the cinematographer in this new digital age....  »
08|01|2006

Mercedes “Jiggle”   [Studio Monthly]

07|28|2006

Dalsa Origin – Codex Digital Workflow   [Studio Daily]

See how Dalsa and Codex Digital have been working together to create a digital cinema workflow solution to record 4K images from the Origin direct to the Codex Digital Data Recorder, which was released at NAB this spring. ...  »
07|28|2006

VIDEO TUTORIAL: Edit Storyboard in Final Cut Express   [Studio Daily]

In this tutorial instructor Jem Schofield details how to edit a storyboard with Apple Final Cut Express HD 3.5....  »
07|19|2006

VIDEO TUTORIAL: Translate FCP Titles into DVD Studio Pro Subtitles   [Studio Daily]

This tutorial shows how to create subtitles in Final Cut Pro and then translate them into DVD Studio Pro using the software Title Exchange by Spherico. ...  »
07|17|2006

Doggicam’s New MoCap System   [Studio Daily]

Check out the new Doggicam MoCap system in this video from the grounds of CineGear 2006. ...  »
07|13|2006

On-Set Color Correction from Cine-tal and Gamma & Density   [Studio Daily]

Take the uncertainty out of HD production by combining the Cine-tal Cineimage monitoring system with the Gamma & Density 3cP color correction software to see precisely what the color corrected images will look like from the production set....  »

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