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| 04|15|2008 |
James MathersAt NAB RED announced a new 5K camera, a low-cost 3K camera and a RED optical disk. In this video, founder of the Digital Cinema Society James Mathers sits down with RED's Leader of the Rebllion Ted Shilowitz to get the scoop on these latest offerings. ... »
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| 04|13|2008 |
Matt ArmstrongAt the AlphaDogs Editors Lounge a panel of editors discuss what they are going to be looking for at NAB, what Avid's and Apple's absence means, their search for a CRT replacement, Apple Color vs Avid Symphony and the state of storage and how it is and is not meeting the needs of today. ... »
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| 04|09|2008 |
Matt ArmstrongIn the third installment of Abel Cine Tech's seminar on the Sony XDCAM EX, cinematographer/producer David Leitner talks about the exceptional lens, shooting handheld, tapeless workflows and even weighs in on the MPEG-2 Long-GOP versus AVC-Intra codec debate.... »
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| 04|04|2008 |
Matt ArmstrongAvid's Bob Russo shows how to get the Red files into the Avid while preserving the metadata.... »
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| 04|04|2008 |
Matt ArmstrongIn the second video installment from Abel Cine Tech's seminar on the Sony XDCAM EX, Abel's director of Technical Development Jesse Rosen explains why the EX, from the lens all the back to the4 compression scheme and workflow, is a remarkable feat of engineering.... »
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| 04|04|2008 |
Matt ArmstrongBrian Hutchings of Digital Service Station demonstrated what Red Alert can, and cannot, do, including making QuickTime reference movies. ... »
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| 04|04|2008 |
Matt ArmstrongWant to edit a Red project on Avid and maintain the original metadata? XMiL founder Rainer Standke explains how the XMiL Sequencer can do just that. ... »
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| 04|04|2008 |
Matt ArmstrongAt the AlphaDogs Editors' Lounge Red's "Leader of the Rebellion" Ted Schilowitz demonstrated the Red Camera workflow with Apple Final Cut Pro. ... »
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| 04|04|2008 |
Matt ArmstrongCurrently the only conform/DI tool to support Red files natively, watch Assimilate Scratch in action.
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| 03|20|2008 |
Matt ArmstrongAt the AlphaDogs' Editors' Lounge cinematographer and president of the Digital Cinema Society James Mathers discusses shooting with the RED Digital One camera, explains what the camera is, and is not, and his impressions since getting the camera last September. ... »
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| 03|20|2008 |
Matt ArmstrongIn the first part of our series of videos on the Sony XDCAM EX high definition camera, produced in association with Abel CineTech and The Producers Guild of America, director/cameraman Mark Benjamin explains shooting with this versatile camera and the different features that make it stand out.... »
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| 02|21|2008 |
Class On DemandThis tutorial of NewTek Lightwave 9 shows how to render out animation to multiple cameras at the same time to save time and keep consistencies in scenes. ... »
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| 02|08|2008 |
Matt ArmstrongWith advertising dollars dispersing into a myriad of avenues, and generally away from print and television, how can production companies that in the past had subsisted on commercials with large budgets now cast their lines into these diverted streams of ad revenue? ... »
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| 01|23|2008 |
This tutorial from the DVD Basic Training for Adobe CS3 Production Premium by Class On Demand shows how to quickly and cleanly eliminate background noise from audio tracks using Soundbooth.... »
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| 01|17|2008 |
Matt ArmstrongIn this exclusive video, indie-film dealmaker John Sloss explains the Ins & Outs of independent film financing, marketing and distribution, as well as the role the Internet can play in marketing today's films and distributing the films of tomorrow. ... »
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