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| 03|27|2007 |
Learn the basics of audio repair using Apple's Final Cut Pro including raising soft recordings without distortion. ... »
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| 03|26|2007 |
Matt ArmstrongAnimator Damijan Satchio of UVPhactory demonstrates a few of the techniques the studio used to create the series of animated spots and teasers that take the viewer inside and swirling around a pinball machine to promote MTV's Crank Yankers and Celebrity Death Match. ... »
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| 03|15|2007 |
By Barbara RobertsonThere are no helicopter shots in this film, even though it appears to have several. Most of the effects are invisible.... »
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| 03|08|2007 |
At a January 26 "Alpha Editors' Lounge" event held at Alpha Dogs in Burbank, CA, Panasonic representatives talked about the workflow and archiving issues and next big steps in the P2 product line.... »
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| 03|06|2007 |
Matt ArmstrongIn the new spot for BMW, the directorial duo of Nick Thornton-Jones & Warren Du Preez from production company Wanted Films transformed their signature style of painting with light that has garnered them acclaim in the print world into the realm of motion pictures, a move that was fraught with creative and technical challenges. ... »
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| 02|05|2007 |
Matt ArmstrongSydney-based digital production company Animal Logic has won the Gold World Medal for 'Most Innovative Music Video' at the New York Festivals' 2007 International Television Programming and Promotions Awards. Watch the video and listen to the director's commentary here. ... »
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| 01|26|2007 |
In this tutorial, Larry Jordan demonstrates how to create animated text in Apple LiveType and add it to your video. ... »
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| 01|18|2007 |
Matt ArmstrongAnimator/vfx artist Darren Price of Nexus Productions talks about his first step into the realm of directing, as well as techniques used to get a cel-animation look from CG, with his short film Potapych: The Bear Who Loved Vodka and the animation workflow for the Motorola short in which a bunny travels through the history of cinema. ... »
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| 01|16|2007 |
Larry Jordan explains the advantages and trade-offs of various external drive solutions, compares data rates or FireWire drives vs. SATA drives, what solutions work the best and how to avoid clogging your Final Cut Pro workflow. ... »
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| 01|11|2007 |
By Bryant FrazerWhen the Pittsburgh Zoo wanted to promote a new polar-bear exhibit, it turned to local VFX studio Animal and director Michael Killen for a spot that used seamless VFX to plant a surprise in the Ohio River — a real polar bear that has local swimmers scrambling for the shore.... »
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| 01|09|2007 |
In this tutorial, Larry Jordan demonstrates how to get optimal quality when compressing video for DVD in Apple Final Cut Pro.... »
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| 01|05|2007 |
Colin Hodges, senior product specialist, Softimage Special Projects, demonstrates the new games export pipeline in FACE|ROBOT 1.5.... »
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| 01|03|2007 |
Producer/editor Paul Mitton of Creation Trek Productions demonstrates audio editing, mixing, effects and creating a soudtrack within Avid Liquid. ... »
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| 12|20|2006 |
By Bryant FrazerEditor Jay Nelson at L.A.'s Cut and Run is coming off a streak of funny spots for high-profile clients like Activision, eHarmony and, working with director Jason Reitman, Wal-Mart.... »
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| 12|20|2006 |
Larry Jordan explains how to set up Final Cut Pro for an HDV project. This report comes from his multi-city Power Up with Final Cut Pro seminar tour.... »
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