 |
 |
| 12|20|2006 |
By Matt ArmstrongWhile today’s animation software allows the creation of these characters the task of making them move and react in a realistic manner is arduous to say the least. Pendulum Studios created their own solution for mo-cap data. ... »
|
|
|
| 12|20|2006 |
Matt ArmstrongTo show how Tiger Woods generates power in his drives from his feet, or rather Nike shoes, up, Nike Golf tapped Imaginary Forces to create a short film for its Power Platform technology in a new line of golf shoes. ... »
|
|
|
| 12|04|2006 |
Matt ArmstrongDirector Georgie Greville teamed up with visual effects house Click 3X to create this truly unique PSA/music video for the track ‘Trees’ from Dr. Octagon, featuring the former Ultramagnetic MC, Kool Keith.
... »
|
|
|
| 12|01|2006 |
By Debra KaufmanMy Name is Earl added another feature this season with an episode, airing November 16, involving a few minutes of stop-motion animation, the brainchild of Earl creator/executive producer Greg Garcia... »
|
|
|
| 11|29|2006 |
By Matt ArmstrongEditor Amanda James of Final Cut in London was surprised and excited when she got a call to work with Tim Burton on what was his first music video. With Burton’s background both in genre and cinematic style, it is not surprising thet the video for The Killers track 'Bones' involved people morphing into skeletons and a mix of live action and CG. ... »
|
|
|
| 11|14|2006 |
By Bryant FrazerThe Syndicate accelerated from 0 to 60 in the blink of an eye when the rug was pulled out from under a planned commercial shoot for BMW. ... »
|
|
|
| 11|10|2006 |
Want to intermix different formats in Avid Liquid? Producer/editor Paul Mitton of Creation Trek Productions shows a variety of timeline conventions in Liquid to handle different formats. ... »
|
|
|
| 11|07|2006 |
Matt ArmstrongDirector Dael Oates of Animal Logic explains the process of creating the animated music video for Under the Cherry Tree by Australian band Telemetry Orchestra. ... »
|
|
|
| 11|01|2006 |
By Bryant FrazerSee Atmosphere's work (with and without audio commentary) and read the article to learn more about what went into managing workflow for Battlestar Galactica's biggest spectacle to date.... »
|
|
|
| 10|20|2006 |
By Paul MittonProducer/editor Paul Mitton of Creation Trek Productions demonstrates how to capture video from a camcorder directly into Avid Liquid. »... »
|
|
|
| 10|13|2006 |
Editor Robin Burchill of editorial house Chemistry in NYC walks through her decision-making process on two high-profile comedy commercials. ... »
|
|
|
| 10|05|2006 |
By Bryant FrazerWhen was the last time you cut a spot on a folding table set up on the deck of an aircraft carrier?... »
|
|
|
| 09|26|2006 |
By Paul MittonProducer/editor Paul Mitton of Creation Trek Productions demonstrates essential editing techniques in Avid Liquid.... »
|
|
|
| 09|22|2006 |
At the AlphaDogs' Editor's Lounge, Pete Challinger, president of Edifis, demontrated the Edifis Finaliser color correction system. Finaliser combines aspects of a traditional hardware color correction system with the flexibility of color correcting on a nonlinear system.... »
|
|
|
| 09|18|2006 |
Mark Schoennagel, senior 3D animator at Softimage|XSI, shows how to use the Generalized Attribute Transfer Operator (GATOR) in XSI to transfer UV coordinates and shape animations to and from completely different characters.... »
|
|
|
|
|
 |
