11|01|2006

Rethinking Video Production for the Cell Phone   [Studio Monthly]

By Michael Grotticelli

It’s clear that the potential for the widespread adoption of distributing video to cell phones, iPods and other compact portable devices is huge. That’s why everyone wants in on the craze. The amount of...  »
11|01|2006

What’s My Flow?   [Studio Monthly]

Joe Caterini | Executive Vice President, Sales | PostWorks, New York For many years we were basically an Avid-only facility. We had certainly done plenty of work with people who had offlined on their own Final...  »
10|27|2006

NAB NY: A Few Reprises, Some Surprises   [Studio Daily]

By Beth Marchant

With a new name, a reinvigorated post-production conference track and a broader range of camera and software manufacturers on the exhibit floor, NAB NY may have finally found its niche. Now in its second year, the four-day conference and trade show held at the Javits Center earlier this week drew a respectable crowd and felt, for the first time, like the essential regional event it’s aiming to be....  »
10|26|2006

D-Eye Guy   [DI Studio]

The D-Eye Guy turns his a critical look at the DI results on The Last King of Scotland and The Queen....  »
10|10|2006

Grabbing Metadata Directly From Your Camera   [HD Studio]

By Michael Grotticelli

The new generation of file-based capture cameras from Ikegami, Panasonic, Sony and Grass Valley allows immediate access to the recorded content through MXF metadata. ...  »
10|01|2006

What I’m Using Now: RoyalRender   [Studio Monthly]

By Marc Dole

10|01|2006

Bent Image Lab: Mad Scientists of Stop-Motion   [Studio Monthly]

By Linda Romanello

The name says it all — Bent Image Lab, a place where nothing is inflexible or rigid, where creatives can bend the rules and completely wrap themselves around a project. ...  »
10|01|2006

What's the Best Format for Archiving?   [Studio Monthly]

By James Mathers

With so many storage formats available today, a question we are often asked at the Digital Cinema Society is which one we recommend to archive a filmmaker’s work? ...  »
10|01|2006

What’s My Flow?   [Studio Monthly]

By Matt Armstrong

Minneapolis-based Splice Here recently refurbished its operations room and the infrastructure to move direct-attached storage for each workstation to a central storage system connected via fibre Channel. Now...  »
09|01|2006

StarCity Recording Puts Music First   [Studio Monthly]

By Linda Romanello

While the eastern Pennsylvania city of Bethlehem is known for its colonial and industrial history, it’s not often identified as a mecca for arts and entertainment. Yet, as the city experiences a cultural growth, one of its newest resident businesses, StarCity Recording, is enjoying a growth of its own....  »
09|01|2006

$40,000 Worth of Nothing   [Studio Monthly]

By Jim Feeley

Last weekend my town offered free recycling of electronic equipment. I wondered how much the equipment I’d recycled was worth when new. The total reached $40,000. But last week it was worthless. These days, everything is an expendable. ...  »
09|01|2006

Match.com Meets HD Decks   [Studio Monthly]

By Kirk Demorest

Since editing in the guild is based on a job-to-job basis, I have always been looking for ways to keep the family fed during slow times. At the end of every show, it’s back to scouring the want ads in Craig’s List and sweating the next mortgage payment. ...  »
08|30|2006

Five Questions with... executive producer Tommy Shay   [Studio Daily]

Tommy Shay, executive producer at Flying Machine, steps up to answer Five Questions. ...  »
08|11|2006

Previs Starts in the Flame Suite at Mr. Wonderful   [Film & Video]

By Bryant Frazer

When Mr. Wonderful's creative director, Beirne Lowry, sat down earlier this year to work on a promo for OLN's coverage of the Stanley Cup finals, he worked in Flame as much as possible, starting with previs, partly because it's a very fast way to visualize and figuring out lighting schemes....  »
08|01|2006

Brickyard VFX   [Studio Monthly]

Bu Edith Lennon

Brickyard VFX, an artist-owned and operated visual effects boutique, has combined an old-fashioned Yankee work ethic with a creative edge and kiln-fired them to create a unique work environment....  »

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