The New Final Cut Studio
Apple has been listening to its customers. This release directly addresses some of the workflow issues of the past, while adding robust enhancements and maintaining the terrific functionality and interface of the original app. It’s a ridiculous value with a ton of bang for the buck. It will make life easier—and much more fun—for a lot of editors. »

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Apple Updates Final Cut Studio with More Than 100 New Features »
Editors talk Avid, Apple, Adobe »
Amped-Up HD Editorial for Max Payne »
New Noise Industries FxFactory Powered FxPacks Now Available For Final Cut »
Automatic Duck Bridges Gap Between Toon Boom StoryBoard Pro and Final Cut Pro »
Final Cut Pro - Red Workflow »
Handmade Digital Releases VFXTracker 2008 for Final Cut Pro »
GenArts Releases Sapphire Plug-ins for Apple FxPlug Products »
dvGarage Announces dvMatte Pro 3.0 Studio for Apple Final Cut Pro and Motion »

The New Final Cut Studio
Apple has been listening to its customers. This release directly addresses some of the workflow issues of the past, while adding robust enhancements and maintaining the terrific functionality and interface of the original app. It’s a ridiculous value with a ton of bang for the buck. It will make life easier—and much more fun—for a lot of editors. »

More...
Apple Final Cut Server »
Apple Final Cut Studio 2 »
Multicam Shoot Out »
Apple Has HD to Burn In Amped-Up Final Cut Studio »

Edit to the Beat in Final Cut Pro
In this tutorial I’ll show you how to use filler, or slug, as placeholder clips to establish a visual rhythm for a highlight reel or basic music video. If you are newer to video editing, you may notice that your projects often start strong and end weak. Try using slug and the "Replace Edit" function to lay down a rough cut and establish a visual rhythm. »

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Automatically Sync Dailies in Final Cut with Sync N Link »
How and When to Use Auxiliary Timecode »
Using the FxFactory Pro Random Crop Filter »
Detect and Lower Clipped Audio in Apple Final Cut Pro 6 »
Create and Pre-Vis an On-Set Archive of RED Footage with Final Cut Pro and AJA KONA 3 »
Create an On-Set Direct-to-Disk Shoot/Capture/Edit Setup with AJA Io HD and Final Cut Pro for a Greenscreen Shoot »
Create a Network ID/Glass Bug in Adobe Photoshop CS3 for Final Cut Pro 6 Projects »
Create the "Pleasantville Effect" in Final Cut Pro »
Three Ways to Transfer Sony XDCAM Content to Final Cut Pro »

See what others have to say about Final Cut Pro 5 »

The Final Cut Pro 5 advantage is clear: high-performance digital nonlinear editing, support for virtually any video format, and facility-class extensibility and interoperability. Whether you’re working solo or collaborating with a team on the next blockbuster, Final Cut Pro 5 delivers the power and flexibility to tackle any project »

Where to learn more... »