06|01|08 Create a Network ID/Glass Bug in Adobe Photoshop CS3 for Final Cut Pro 6 Projects
05|01|08 Create the "Pleasantville Effect" in Final Cut Pro
03|01|08 Three Ways to Transfer Sony XDCAM Content to Final Cut Pro
06|01|07 Add HDV Footage to a DVCPRO HD Project with FCP Media Manager
05|01|07 Work Faster with FCP Clips in After Effects with Automatic Duck Pro Import AE 4.0
03|01|07 Capture HDV in QuickTime for Editing in Apple Final Cut Studio
01|16|07 VIDEO TUTORIAL: External Drive Options for the Final Cut Pro
12|20|06 VIDEO TUTORIAL: Setting Up and HDV Project in Final Cut Pro
12|01|06 Quick Tip - Roll Your Own FCP Plugs Without Writing a Line Of Code
09|01|06 Bring HVX200 P2 Clips into FCP via the FireStore FS-100
07|19|06 VIDEO TUTORIAL: Translate FCP Titles into DVD Studio Pro Subtitles
06|26|06 VIDEO TUTORIAL: The Blink Filter in Final Cut Pro
06|01|06 Customize your FCP Workflow for an Installation Project
05|18|06 VIDEO TUTORIAL: Multicam Editing in Final Cut Pro 5
05|05|06 VIDEO TUTORIAL: Create Chapter Markers for QuickTimes with FCP
03|23|06 VIDEO TUTORIAL: Trimming Window in Final Cut 5
02|15|06 VIDEO TUTORIAL: Rotation Properties in FCP
02|15|06 VIDEO TUTORIAL: Audio Levels in FCP 5
02|15|06 VIDEO TUTORIAL: Apply Transition in FCP
12|01|05 Light Rays Effect Using Boris Continuum in Final Cut Pro
12|01|05 Make Quick Client Review DVDs of Apple FCP HD Edits in DVD Studio Pro
09|01|05 Get Organized in Apple Final Cut Pro
01|01|05 Edit a 1080 24p Uncompressed Day-for-Night Scene in Apple FCP HD





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Online Editors, Content Editor Obsessed With Film
Crew Needed for Super 16 Film HOLE


Expert Training on After Effects, Final Cut Pro, Avid Media Composer, Premiere, Boris, Lightwave, Flash, Trapcode Form and Particular, Sony XDCAM and much more!. All DVDs are 10% off!!!!

Quick Tip - Roll Your Own FCP Plugs Without Writing a Line Of Code

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The first thing you’ll notice about Noise Industries’ FxFactory plug-ins— the only major plug-in package to support FxPlug, Apple’s modern architecture for film-quality effects — is their speed: anywhere between 4x and 20x faster than comparable, unaccelerated effects. What’s even cooler is you are seeing this level of performance inside Final Cut Pro. Contrary to other packages that are limited by the After Effects SDK, FxFactory plug-ins are entirely GPU accelerated, they work seamlessly in Final Cut Pro and Motion, and support both PowerPC and Intel-based Macs out of the box.




FxFactory lets you roll your own plug-ins without writing a single line of code. In practical terms, that means any professional user with experience in node-based compositing can create GPU accelerated plug-ins that can be reused across any number of projects, in both FCP and Motion. You can then create and distribute those plug-ins among other FxFactory users and share these goodies online via a community called the FxMarket (www.noiseindustries.com/fxmarket).

— Gabe DeSimone, Noise Industries founder
www.noiseindustries.com



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