Bookmark and Share

Multiformat/Compression/
Recording: Grass Valley Unveils Infinity

Post your comments below

At the recent IBC conference in Amsterdam, Grass Valley opened more than a few eyes when it introduced a new digital camcorder called Infinity that offers multiformat acquisition with a choice of compression formats, standard- and high-definition image resolutions and multiple types of removable media built-in. Although apparently designed for newsgathering, for the independent shooter or production company working with multiple clients and different project types, this camera could be a dream come true.

The Infinity Digital Media Camcorder, and its complementary Digital Media Player, support 1080i/50/60 and 720p/50/60 HD (at 75 and 100 Mbps) as well as 625i/50 and 525i/60 SD (25 or 50 Mbps) via 14-bit digital signal processing. It does not, however, include 24p capability. Users can encode video as DV25 (compatible with DVCAM and DVCPRO), MPEG-2 for SD or HD, or JPEG 2000. MPEG compression is available as an option.

The camcorder includes a color LCD monitor as well as SDI and HD-SDI video connectors for real-time output, coupled with Gigabit Ethernet and FireWire connectors.

It records to a Iomega REV PRO disk (about $70) and professional-grade CompactFlash media, made by SanDisk. A single REV PRO disk, with 35 GB of storage capacity, offers about 45 minutes of 1080i HD at 75 Mbps and more than two hours in 25 Mbps HDV or DV. Grass Valley recommends two versions of professional-grade compact flash memory cards for the Infinity camcorder, both made by SanDisk: Extreme-III (sizes up to 4 GB) for high-bitrate HD, and Ultra-II (sizes up to 8 GB) for SD and 25-50 Mbps HD. The Extreme card offers higher bandwidth to move up to 50 Mbps material on and off the card. It's ideal in harsh weather conditions or in applications with extreme vibration that could affect image acquisition. Currently, an Extreme-III card from SanDisk costs about $350. (A similar-capacity Panasonic P2 card costs close to $1,500.)

The camera is perhaps most noteworthy for moving users away from the choice between proprietary DV and MPEG compression formats. Many see it as the beginning of a new generation of products that leverage off-the-shelf technology to keep prices low and flexibility high. A full-featured SD/HD camcorder that does all this for $20,000 can't be easily ignored.




Bookmark and Share

Post a Comment

Name:
Email:
Comments:

Please enter the letters or numbers you see in the image.
Your message will be reviewed before it is posted

Subscribe to StudioDaily Podcast


        brand new  
  Studio/monthly magazine   store   rich media tutorials  
 
Studio/monthly magazine

Subscribe to Studio/monthly and catch up, anywhere you go, on top production and post trends, tutorials and product reviews. Click here to get it delivered to your doorstep.

   
video tutorials

All New Video Tutorials.. Avid, Final Cut- RED camera tutorials, Imagineer mogul, Trapcode Form, Apple Motion and many more tutorials on editing, VFX, animation.

 
           
    STUDIO DAILY © 2008 Access Intelligence LLC. All Rights Reserved.