Apple today announced a significant update to Final Cut Studio® with more than 100 new features and new versions of Final Cut Pro®, Motion, Soundtrack® Pro, Color and Compressor. Final Cut Studio features Final Cut Pro 7 which expands Apple’s ProRes codec family to support virtually any workflow and includes Easy Export for one step output to a variety of formats and iChat® Theater support for real-time collaboration. Motion 4 includes enhanced tools such as 3D shadows, reflections and depth of field for stunning motion graphics and visual effects, and Soundtrack Pro 3 features new multitrack audio tools to streamline audio post production. Color 1.5 includes better Final Cut Pro integration and support for full color resolution, and Compressor 3.5 adds new features that make it easy to set up and customize your export options. At $999, the new Final Cut Studio is $300 less than the previous release and is also available as an upgrade for just $299.
“With 1.4 million users and 50 percent of the market,* Final Cut Pro is the number one professional video editing application,” said Philip Schiller, Apple’s senior vice president of Worldwide Product Marketing. “The new Final Cut Studio includes more than 100 new features and dramatically expands Apple’s ProRes family of codecs so editors can work in the studio with the highest quality video or on location at low bandwidths.”
Final Cut Pro 7, the latest version of Apple’s Emmy Award-winning editing software, includes new versions of Apple’s ProRes codecs to support virtually any workflow with the addition of ProRes Proxy, for offline and mobile editing at low bandwidth; ProRes LT, for general purpose editing; and ProRes 4444 for editing and visual effects at the highest quality possible. Easy Export allows users to continue working on projects while encoding is done in the background and the sequence is exported to YouTube, MobileMe™, iPhone™, iPod®, Apple TV®, DVD or Blu-ray. iChat Theater support allows real time collaboration by sharing Final Cut® timelines or individual source clips with iChat users anywhere in the world, even if they don’t have a copy of Final Cut Pro. Other new features include new speed tools to change clip speed with ease, alpha transitions to create dramatic effects using moving mattes, and native AVC-Intra support for the latest high quality Panasonic cameras.
Motion 4 extends award-winning, easy to use animation tools so video editors can quickly create everything from basic titles to animated credit rolls to stunning motion graphics. Enhancing 3D compositions is faster than ever with new customizable features that add point and spot lights to cast realistic shadows or turn any shape, video plane or paint stroke into a reflective surface. Motion 4 gives editors the flexibility to adjust the depth of field within a 3D canvas by selectively highlighting a single object or using multiple objects to create a racking focus effect.
Soundtrack Pro 3 adds powerful new audio editing tools including Voice Level Match which extracts volume information from the vocal content of one clip and applies it to another without altering any other audio content so editors can easily correct mismatched voice levels. An enhanced File Editor includes new tools to make sophisticated edits and fine tune volume adjustments by targeting specific frequencies such as the rustle of a paper or the bump of a desk without affecting dialogue. The new Advanced Time Stretch feature stretches and compresses audio with incredible precision using three Apple-designed algorithms or other algorithms available as third party plug-ins.
Color 1.5, Apple’s easy to use professional grading application, now works with a greater range of sequences and effects from Final Cut Pro and an integrated workflow allows editors to complete projects entirely within Final Cut Studio. New 4K support works natively with files from cameras such as the RED ONE and outputs directly to ProRes for HD or DPX for film. Expanded support for new high quality formats includes AVC-Intra, XDCAM 422 and ProRes 4444, for grading with the maximum amount of color information.
Compressor 3.5 makes encoding and delivering in multiple formats easier than ever with the ability to automatically detect QuickTime® settings and create an Easy Export template or a mini “droplet” on the desktop that automates specific Compressor actions. New, customizable sharing options make it easy to publish to YouTube and MobileMe, or export for iPhone, iPod, Apple TV and mobile phones. For the highest quality HD material, menu templates and encoding presets make it fast and easy to create Blu-ray discs. Final Cut Studio also includes DVD Studio Pro®, a powerful DVD authoring environment with drag and drop tools, on screen editing and real time previews.
Soundtrack Pro and Compressor are also available as part of the new Logic Studio®, allowing Final Cut and Logic® users to collaborate and share files.
Apple today also introduced Final Cut Server 1.5, the asset management and automation tool for Final Cut Studio. Final Cut Server 1.5 includes powerful new features like lightweight, offline editing with ProRes Proxy, production hierarchies to organize media, and support for still sequences to easily view and manage image sequences for graphics and effects workflows. Final Cut Server now includes unlimited client licenses and is available for $999 or as a $299 upgrade for existing users.
Pricing & Availability
Final Cut Studio is now available through the Apple Store® (www.apple.com), Apple’s retail stores and Apple Authorized Resellers for a suggested retail price of $999 (US) and existing Final Cut Studio and Final Cut Pro users can upgrade for a suggested retail price of $299 (US). Full system requirements and more information on Final Cut Studio can be found at www.apple.com/finalcutstudio. Final Cut Server 1.5 is now available through the Apple Store (www.apple.com), Apple’s retail stores and Apple Authorized Resellers and includes unlimited client licenses for a suggested retail price of $999 (US) and existing Final Cut Server users can upgrade for suggested retail price of $299 (US). Full system requirements and more information on Final Cut Server can be found at www.apple.com/finalcutserver.
*Based on data from broadcast and professional video market research firm SCRI International, Inc. showing Apple is the market leader for post-production with 50 percent of broadcast and post non-linear editor purchases in 2008.
Comments (21) for "Apple Updates Final Cut Studio with More Than 100 New Features"
1.
So are we to assume Compressor has absorbed DVD Studio Pro?
Posted by Christina on Thursday, July 23, 2009 @ 10:40 AM
2.
Where's the Blu-ray authoring in DVD Studio Pro? I bet they removed the HD-DVD authoring. I wonder why? We need Blu-ray authoring, Apple! Get with it!
Posted by Howard on Thursday, July 23, 2009 @ 11:11 AM
3.
I hope they included native AVCHD in FCP7. Finally, BluRay authoring is possible?
Posted by john on Thursday, July 23, 2009 @ 11:19 AM
4.
So, Blu-ray authoring is still considered a red-headed step-child at Apple. The only place it appears is in the "Sharing" menu in FCP, as well as in Compressor. No changes to DVDSP to include BD.
It is nice that they now include some "beautifully designed" menu templates, and the ability to export to BD at all, but if anyone needs real BD authoring (an increasing number of people), their only Mac option is Encore CS4 (as far as I know).
I will continue to be baffled by Apple's stubborn refusal to provide BD solutions worthy of Apple reputation.
Posted by Predrag on Thursday, July 23, 2009 @ 11:26 AM
5.
Is it for Intel Machines? or the old crowd with already old G5s can use it?
Does anyone know?
Posted by Alexander on Thursday, July 23, 2009 @ 11:37 AM
6.
I guess this is where they make a break with us folks who are still on PowerPC G5's. That's real nice :(
Posted by Keith on Thursday, July 23, 2009 @ 11:56 AM
7.
All my friends using FCP have switched to Vegas or Avid. They call it Final Cuss Pro. Avid is king. Vegas is lightning fast. Read StudioDaily's Vegas 9.0 review from two weeks ago.
Posted by Digital Moment on Thursday, July 23, 2009 @ 12:05 PM
8.
Intel only. We "old G5 heads" are outta luck.
Interesting about BD authoring. Under Tech Specs>Final Cut Pro 7 it says:
"Apple-designed menus for DVD and animated menus for Blu-ray discs"
but under Tech Specs>DVD Studio Pro 4 it states:
"Author HD DVDs using SD and HD assets", but no mention of BD in it's supported output formats.
*sigh*
And yes, I realize DVDSP hasn't been updated.
Posted by Patrick on Thursday, July 23, 2009 @ 12:14 PM
9.
@Alex: Intel only
Posted by Adam on Thursday, July 23, 2009 @ 12:26 PM
10.
Given Steve Job's history of comments regarding Blu-Ray (i.e. the licencing issues; and his vision of a future of video distribuiton on the net, divorced from physical media) I would not be surprised if Apple is trying to discourage Blu-Ray adoption by neglecting DVDSP, which hasn't seen an upgrade in two cycles now.
Posted by Scott on Thursday, July 23, 2009 @ 12:28 PM
11.
It's not clear to me after reading this press release, does FCP still require all formats to be encoded, er, "wrapped" into Quicktime? Or is one of the new features actual support for native formats?
Posted by Chuck on Thursday, July 23, 2009 @ 12:41 PM
12.
Wow. Last night at LAFCPUG they joked about FCP 7 and why it hadn't come out yet.. then VOILA. Here it is. Can't wait to test out the new MARKERS. Hope the "searchable" aspect will be backwardly compatible... I have a lot of markers in a doc that I wish were searchable.
Meanwhile, I thought FCP 6 was great... even an avid-slayer. FCP 7 should rule the universe. Unless my next gig is on avid... in which case... avid rules.
Posted by Jan Lucas on Thursday, July 23, 2009 @ 12:49 PM
13.
To BURN BLUE RAY
You can go through promax and have a blue ray burner installed and use Toast software to burn to blue ray
Posted by trevor on Thursday, July 23, 2009 @ 12:51 PM
14.
Two years AFTER Blu-Ray becomes the standard we can FINALLY export content? SO where are the Blu-Ray drive options for MacPros? For being a leader in many things, Apple has sure dropped the ball with Blu-Ray!
Posted by Eric on Thursday, July 23, 2009 @ 12:55 PM
15.
Yes, Predrag! It would be great if we could give our clients the same templates every project... but I'm in the business of being a video professional... and I get paid because I can actually DESIGN and AUTHOR DVDs for people that are specific to their needs!
I'm hoping we can take the Blu-Ray export FROM Compressor TO DVD Studio Pro and still author like before. Would that work? Maybe not since DVD Studio Pro doesn't know Blu-Ray exists. They are going to have to acknowledge this workflow problem and then provide solutions. Why does it need to be this hard?
Posted by Christina on Thursday, July 23, 2009 @ 01:09 PM
16.
Some answers to questions above.
1. No native AVCHD editing; still "Log and Transfer" into ProRes.
2. DVDSP doesn't seem to have changed; it is still version 4 (just like iDVD didn't change at all in iLife 09)
3. The new FCS is Intel only. Moreover, older white MacBooks won't work either, since it needs ATI or NVidia chips. Gobs of RAM are recommended for serious HD work (obviously), and tons of disk space.
Posted by Predrag on Thursday, July 23, 2009 @ 01:24 PM
17.
Search the Apple website. Looks like the ones that have "fast but older" G5's are screwed, and stuck with FCS 2. Minimum requirement is an Intel Mac. "Great"...
Posted by Aaron on Thursday, July 23, 2009 @ 01:30 PM
18.
BluRay licensing is still horribly expensive. The BD authouring suites that are currently available, on a professional level, still cost $50,000 for a single site license. I think Apple is trying to pressure the BD license holders to come down a bit from their high horse.
Posted by Austen on Thursday, July 23, 2009 @ 02:13 PM
19.
I was hoping for blu-ray authoring too...
Posted by Eirik on Thursday, July 23, 2009 @ 05:25 PM
20.
The big news of this update are the new ProRes codecs. Full raster 1920x1080 24p at 4.5 MB/sec to 60p at at 11.5 MB/sec. That is only 16GB/hour at 24p/1920 and 41GB/hour at 60p 1920x1080 full raster, not a blow up. Just replace the media at any of the other ProRes resolutions as ProRes HQ, indistinguishable from uncompressed HD or even ProRes 4444 to 444 color space with alpha for heavy compositing. Only use the higher res for the finished product footage.
Check out the new ProRes codecs here http://www.apple.com/finalcutstudio/finalcutpro/apple-prores.html
Gobs of memory? From Apples website, minimums:
"1GB of RAM (2GB of RAM recommended for working with compressed HD and uncompressed SD sources; 4GB of RAM recommended for working with uncompressed HD sources)".
Mac Pros come with a minimum of 6GB RAM and Macbook Pros come with 4GB. Yes it will run on my three year old Macbook Pro with 2GB just as well as 6.x does now.
I only need Blu-Ray for client approvals or a few minor distributions. with the included template for Compressor 3.5 Blu-Ray burning, this will do me for now.
Yes the three and half year old Quad-core G5 will not run it, but the Intels are much faster, and the optimized Intel code is necessary for these and further improvements to come with 64 bit Snow Leopard, also Intel only. Upgrading hardware is a fact of life in this business. I'm going to try it on the Macbook Pro, and if I find it works as advertised, the G5 will be gone and replaced with a Mac Pro by years end.
Check out the FCS white paper for details:
http://images.apple.com/finalcutstudio/docs/Final_Cut_Studio-In_depth.pdf
and
http://www.apple.com/finalcutstudio/
Posted by Jim Wiseman on Friday, July 24, 2009 @ 02:17 PM
21.
Where the "H" is LiveType?! I have 24 weddings left this year and hav always used LiveType to knock out some stunning titles, lower thirds and crawls. I don't have the time to recreate all of graphics and learn another titling application. It's a deal breaker for me.
Posted by Andy Hale on Friday, July 24, 2009 @ 06:50 PM