Summary:
It’s a one-trick pony, but it does it so well. If you
want to bring Motion effects into After Effects, this makes it so easy.
The price limits this tool to serious users, but if it saves you time,
that’s money saved as well.
Target Apps:
Intensive post work that involves moving complex sequences from Motion, Final Cut Pro or Avid Systems into After Effects
What It Costs You:
$495 MSRP
What’s Cool:
The support for Motion creates a powerful new workflow alternative. You’ll find solid support for FCP and Avid as well.
What’s Missing:
No support for earlier versions of Final Cut Pro. FCP 4.1 or FCP HD 4.5 are required.
RATINGS: Products are rated for features, performance, ease of use and overall value on a scale from LAME, OK, SOLID SWEET to HOT.
Specs
Mac/Windows: MacOS 10.2 or later; Windows 2000 or XP; Adobe After Effects 5.5 or later, QuickTime 4 or later, Avid QuickTime codecs (for Meridien media), Avid DV QuickTime Component (for DV media) Web site: www.automaticduck.com
After Effects import plug-ins were the first of the Automatic Duck
plug-ins. The original was called Automatic Composition Import, which
only did one thing—import sequences into After Effects. Later, it was
expanded to also work within Boris Red. The products were later
separated, with a standalone version for Red users and a recently
released new product for Autodesk Combustion users, (see Studio/monthly, April). Now, Pro Import AE 3.0 adds the next generation of new features for everyone who’s using After Effects.
Here, the most significant new feature is support for Apple’s Motion.
This lets users start a project in Motion (with its real-time
functionality) and then import all those blended modes and nested clips
(which become nested comps) into After Effects for heavy lifting and
finishing. This is a very powerful workflow alternative, letting each
program do what it does best without crashing your computer as you move
between them.
While the features and functions vary somewhat depending on the source
or the sequence ( Avid, FCP or Motion), there is generally expanded
media format support that includes ABVB, DV50 and Meridien compressions
from Avid (OMF Media) and support for all Final Cut Pro Media,
including DVCPRO HD. An added plus: Many third-party AE filters, such
as GenArts Sapphire and DigiEffects Fantazm, translate from Final Cut
or Motion.
To make these translations, the sequence must first be exported from
the host original application. For Avid users, OMF 2.0 is the preferred
export format; for Final Cut Pro, it’s XML. Pro Import AE can open
Motion files directly. For this review, I tested it with both Final Cut
Pro and Motion.
Motion’s "behaviors," a very powerful feature, must be converted to
keyframes before it can be read into After Effects. This is a simple
one-step process. Similarly, Motion particle effects must be rendered.
The user guide that comes with the plug-in is very accurate and will
walk you through the critical steps.
Basically, this tool works great and is a must-have for any After
Effects power user. There are Windows and Mac versions, so you can
migrate sequences across both platforms. The creators of the program
obviously know exactly what they’re doing. Pro Import AE 3.0 is a huge
time and nerve saver.