Once you’ve ingested the desired HDV footage onto your hard drive using Final Cut Pro v5.1.4, assemble the clips into a rough edit sequence. It is from this sequence that the Media Manager will accomplish its task. When placing the HDV clips into the sequence, make sure you add two to three seconds of extra “handle” on the in and out points of each clip. Doing this will help you later on, in case you need to slightly adjust the in and out points of each clip after they’re recompressed to DVCPRO HD.
STEP 2: Set up Media Manager to recompress to DVCPRO HD
Using the mouse and cursor, select and highlight within the sequence all the HDV clips to be recompressed by the Media Manager. Next, navigate to the File menu and select Media Manager. Once inside the Media Manager window, you’ll see that it’s divided into four sections: Summary, Media, Project and Media Destination. The Summary section displays the overall Media Manager settings that have been selected, as well as a sliding bar representation that shows the original file size of the selected clips in relation to what the new file size of the clips will be, once the recompression has been completed.
- In the Media section of the Media Manager, select Recompress Media referenced by duplicated items.
- Select Recompress Media using DVCPRO HD 1080i60.
- Place a check next to Include Master Clips Outside Selection.
- Place a check next to Delete Unused Media from Duplicated Items.
- Place a check next to Use Handles if you want to add more handle length to the in and out points of each clip; select the desired length.
- Place a check next to Include Affiliate Clips Outside Selection.
- Select Base media file names on Existing File Names.
- In the Project section of the Media Manager, place a check next to Duplicate Selected Items and place into a new project.
- Place a check next to Include Non-Active Multiclip Angles.
- In the Media Destination section, click on Browse and navigate to the desired hard-drive location for the final recompressed media to be stored.
Click OK to allow the Media Manager to begin the recompression task. A sliding bar graph display appears that displays the remaining time left for the job. The length of time will vary, depending on how many clips you originally selected within the sequence to be recompressed.
STEP 3: Import the recompressed clips into your DVCPRO HD edit
Once the Media Manager has finished recompressing the media to DVCPRO HD, the new DVCPRO HD clips, plus a new sequence containing those clips, will appear in the Browser window. All that is left to do is simply double-click on the new DVCPRO HD sequence created by the Media Manager. You will then be able to review the Item properties of each new clip within that sequence to make sure that the clip has been correctly recompressed to the DVCPRO HD format.
Using the mouse and cursor, select and highlight one of the recompressed clips. Navigate to the Edit menu, select Item properties and then select Format. By reviewing the Format properties of the clip, it’s possible to identify the Compressor used for the clip media, in this case DVCPRO HD 1080i60.
At this point, the new recompressed DVCPRO HD 1080i60 clips are ready to be imported into your original DVCPRO HD 1080i60 edit. Simply select and highlight all of the recompressed clips within the new DVCPRO HD sequence created by the Media Manager. Copy those recompressed clips into your original DVCPRO HD edit sequence and start cutting.
YOUR GUIDES
Daniel and Donald Berube
Founders
noisybrain. Productions, LLC
Daniel and Donald Berube are founders of noisybrain. Productions, a collaborative, full-service production facility based in suburban Boston. Both have more than two decades worth of production and editing credits on public and network television. Daniel is an Apple Certified Trainer and founder of the Boston Final Cut Pro User Group. Donald is a DP who works with a range of SD and HD acquisition formats.
Daniel and Donald Say Keep in Mind...
Here’s a quick tip we’ve found useful when we need to incorporate some HDV 1080i60 source material into a DVCPRO HD 1080i60 project. Using the Media Manager within Final Cut Pro v5.1.4, it’s possible to recompress the HDV material into a different codec, in this case, DVCPRO HD. In steps 1 through 3, we see how to recompress your HDV 1080i60 clips into DVCPRO HD 1080i60 material.
Comments (3) for "Add HDV Footage to a DVCPRO HD
Project with FCP Media Manager"
1.
Sony's version of HDV footage does not import into Final Cut Pro. I have the new Sony HVR DR 60 hard disk recorder made for the new Sony V1U. The Sony hard disk recorder makes an M2T file when recording in the 1080i mode. This format does not import directly into Final Cut Pro. You cannot evem import it to the timeline to make a conversion using the FCP media manager. It takes 3 or 4 times real time to do the conversion and takes up twice the storage space because you have to make an additional mov file to import into FCP. You are better off shooting on tape and doing real time tape capture. Forget about thinking of saving any time using Sony hard disk recorder for this application. Before you go off spewing the benifits or HDV you need to look at the real world problems with the format as it exists today. The Sony mt2 file format is not recognized by Final Cut Pro. It is faster shooting to tape and probably more reliable. Some recorders do make a compatible mov file but not the HVR DR 60, Buyer beware...
Posted by Jeff Vasquez on Friday, June 22, 2007 @ 01:47 PM
2.
Instead of the Media Manager you throw the m2t-files onto an app called MPEGStreamClip (free from www.squared5.com) which converts your data nicely into DVCProHD files. Hope this helps.
Posted by Peter on Wednesday, June 27, 2007 @ 12:08 PM
3.
Need some help if possible...........well here's the deal....I'm editing footage for a music video, I had started adding transitions/effects in......then about the fourth one my video playback started to shift or stop, but the song is still playing. But before I had started adding effects and transitions it was working fine.....I'm kind of stumped......what settings do I need to set it to for viewable pleasure ? (so I can continue this project) (it's been on hold for now until problem is resolved).....I have a G5 / FCP 5.1 / footage was shot in HD 1920 X 1080i60 with a Panasonic 200P camera. IT was then burned on a DVD as a P2 file. I'm using an external drive for footage. I have no external monitor. PLEASE HELP..................How do I set it up correctly in FCP5.1 from the beginning??? or could I adjust the settings some way, so that its viewable on the play back screen, without having to start all over........
Posted by Steven Parra on Friday, May 9, 2008 @ 06:00 PM