At the AlphaDogs Editors' Lounge Red's "Leader of the Rebellion" Ted Schilowitz demonstrated the Red Camera workflow with Apple Final Cut Pro. He gives a nice overview of the Final Cut Pro native integration of Red files, explains different types of workflows and drops a few hints about Red's plans for the future.
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Posted by Norris Hall on Friday, April 4, 2008 @ 04:33 PM
2.
Always nice to see more info on Red and FCP. My thanks also to Ted,"the leader of the rebellion!284"
Thanks!!!
Posted by Cal Lundgren on Friday, April 4, 2008 @ 07:13 PM
3.
SSeems to be a lot of hoops to jump through. Why is it not managed in the same way as P2, the RED code should be running natively, no Reference Movies. That surely must be a temporary step until FCP has the native RED codec. Then we could put out our DPX files as we do now using Glue Tools. So the question is- using RED's workflow with the QT linking back to the camera, data can we generate DPX files as we do now with our P2 material that can then go to Lustre for grading?
Posted by IAN WILSON on Friday, April 4, 2008 @ 07:53 PM
4.
I am the V.P. Film Development, SimplyMe TV, a National Cable/Internet Television Network (simplyme.tv). Red is the flavor of the future. Our network will shoot in Red. Were "Up Next" so we must use "What's Next", and thats "Red" Very informative and futuristic! Tell me more.....
Posted by Anthony Andre Jones on Friday, April 4, 2008 @ 08:06 PM
5.
Good to see that kind of video. Thanks Matt. Ted kinda brushed over the biggest bottleneck which is the conform from FCP to anything other than scratch. He made it seems so easy and it's just not that easy yet..... it's getting there but that was one thing the RED team totally didn't address.
Posted by Scott Simmons on Saturday, April 5, 2008 @ 11:13 AM
6.
Hi,
I am a Video Editor. I want to know the work flow of RED with FCP, starting from the shoot to the final product.
Cheers & Peace
Soumya Chatterjee
Posted by Soumya Chatterjee on Thursday, August 26, 2010 @ 04:46 AM
7.
Why not just use Adobe Premiere and cut through all the mess. Just edit with the raw camera files, no proxies and spit out what you need when you are finished.
Posted by Linda Nelson on Wednesday, November 17, 2010 @ 06:37 PM
8.
Very informative, gave lots of useful information for an upcoming RED project to be edited in final cut - Thank you!
Posted by Steph Dower on Thursday, November 3, 2011 @ 09:54 PM
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