This tutorial is for those want to establish a visual rhythm for a highlight reel or basic music video. Import your music for the project into Final Cut Pro, and then edit it to the Timeline. In this example, I’m laying the music to tracks A1 and A2 because I won’t be using the audio in my video clips. If you’re going to use the audio from your video clips, or lay in voiceover, edit the music to tracks A3 and A4.
Editing to the beat works best with music that you’re familiar with, so after you lay in the music, listen to the track a few times so you can become acquainted with the upbeats and downbeats of the song. At this point, you should be visualizing how the action in your video flows with the beat of the song.
Step 2
LOCK THE MUSIC TRACK
Click the track lock buttons to lock both music tracks. If you’ve placed your music tracks in tracks A1 and A2, and the video clips you are using have audio associated with them, locking the tracks ensures that you don’t blast away any of the music when you lay down slug — random filler from FCP’s Slug Generator — and video clips with audio.
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Comments (16) for "Edit to the Beat in Final Cut Pro"
1.
Very well put. I have used this myself and it is a great way to let you feel the pace of the project, and space your best shots at the best beats.
Posted by Ken Harper on Tuesday, May 5, 2009 @ 10:56 AM
2.
Yah. I'm one who hasn't used it yet, but it's very succinctly put. Thank you. Am proceeding to use it immediately!
Posted by atomsound on Tuesday, May 5, 2009 @ 11:26 AM
3.
I use a different method. I listen to the music and lay in markers in the browser using the ` key. This fills the music with markers and gives me more freedom to have video hit around a beat, instead of always directly on it. Plus, I don't have to deal with a slug, and remove stuff from the timeline.
Posted by Anthony on Tuesday, May 5, 2009 @ 11:35 AM
4.
Great points, I edit band performances weekly and have done over 40 to date and use similar technique.
To take this a step further with a visual reference, I sometimes use two tracks of video with different color solids/slugs and after each cut, "cut" to a different color. That way I can watch the timeline and SEE and get a feel for the edits visually as they change color before dropping down any footage.
Posted by Tony Felgueiras on Tuesday, May 5, 2009 @ 12:06 PM
5.
I am new to Final Cut and this was so obvious I never would have thought of it...nice, thanks.
Posted by Mentorfilms on Tuesday, May 5, 2009 @ 01:12 PM
6.
Dude,
While this is likely helpful for many, do you realize that it's a virtual lift from what Capt Mench did over three years ago at http://proappstuff.com/proapptipsvideotutorials/879F6B61-CFF9-4FD1-8D43-FDF89605611A/3180E26D-9B39-4796-8A79-6D0E2BE23FA7.html
Posted by dg on Tuesday, May 5, 2009 @ 01:51 PM
7.
Glad to learn this tip. Avid was great for this but I never realized it was this easy in FCP. Perfect timing, have a music video coming online at the end of the month
Posted by J Hughes on Tuesday, May 5, 2009 @ 03:42 PM
8.
Great session. Even though I use Premiere Pro 2.0, I can see how I would apply this to my workflow.
Thanks,
TomElliott
Posted by Tom Elliott on Tuesday, May 5, 2009 @ 10:23 PM
9.
The Ctrl-V key command tip was new to me. Thanks!
Posted by Ben Bradley on Wednesday, May 6, 2009 @ 10:21 AM
10.
Open up the audio waveform and listen to the music and watch the peaks and valleys and mark them as you go is an easier and less cumbersome method. Skip inserting slugs.
Posted by John Moon on Wednesday, May 6, 2009 @ 02:08 PM
11.
For most projects I edit the video first like a feature film. I find if the edits work well than the music follows. For music videos, I like to just see the audio waveform and cut to that.
Posted by halfmac on Friday, May 8, 2009 @ 12:39 PM
12.
not sure quite why in and out point being marked when using the replace edit tool and why it is then being matched on the timeline always within the middle of the clip
replace edit doesnt need in or outs, it uses the playhead for viewer and timeline and does mark clip and overwrite based on which destination track is selected
the method described above will most likely end up with "insufficient content" warning in a lot of cases
Posted by ben scott on Monday, May 11, 2009 @ 04:43 AM
13.
Great tutorial! yaaayyy, this new for me in FCP..thanks
Posted by didien on Tuesday, May 12, 2009 @ 11:27 PM
14.
Sorry, but this is far from efficient use of FCP. The first give-away of that is always when someone thinks they have to LOCK a track! If you know your FCP, you next NEVER have to do that.
One can do this whole thing far quicker and efficiently e.g. with markers and the "Mark to Markers" command.
And yes, marking an In and Out when using the REPLACE function is utterly superfluous.
Posted by lin2log on Monday, June 15, 2009 @ 10:28 AM
15.
"Open up the audio waveform and listen to the music and watch the peaks and valleys and mark them as you go is an easier and less cumbersome method. Skip inserting slugs."
This is how I do it too
Posted by ankawa on Sunday, September 20, 2009 @ 02:29 PM
16.
Fantastic! So simple and a very good idea.
Thanks!
Bill
Posted by Bill on Tuesday, January 12, 2010 @ 01:02 AM
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