What’s My Flow?

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Minneapolis-based Splice Here recently refurbished its operations room and the infrastructure to move direct-attached storage for each workstation to a central storage system connected via fibre Channel. Now, instead of having to swap drives and physical media, all its artists have instant access to all the media.




"For us the efficiency it has allowed us to accomplish is amazing and we’re still a pretty small facility of 18 people, including four editors, four freelancers who are in regularly, four designers, three audio guys, one colorist and one person for DVD authoring and encoding," says Clayton Condit, president of Splice Here, who also works as an editor.

At the core is Apple’s Xsan networking system that ties together eight Medea RAIDs and ten Apple Xserve RAIDs give each of its 14 workstations, mostly G5s and some Linux machines, access to 45 TBs of storage. The 18 RU RAID drives are split into four Xsan volumes on each machine, instead of one large volume as separating the volumes makes maintenance easier and reduces the possibility that the work will come to a halt if the server crashes.

"We’ll do large shows where there might be anywhere from 50-80 rolling videos, so we’ll have ten editors and five designers at any given time working on the footage simultaneously," explains Condit. "It allows us to turn it around in 2-3 weeks."

Condit continues, "The thing that we’re most excited about is the way it ties in with Final Touch for color correction. I can be editing on Final Cut and I can kick out a little 25K XML file and my colorist can complete the majority of the work before the edit is complete. Once the edit is finished the color correction is already done and the project can move right along to the graphics department."

The investment in networked central storage means Splice Here can also handle 2K workflow. "We’re finishing a 35mm music video that was scanned at 2K," says Condit. "The 2K comes in as DPX files and transcode it to a low-rez format so we can offline with it and then kick that XML out, re-link to the 2K files, color correct and do any graphics work in 2K."

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