Color Management: Maintaining Color Decisions from Set Through Post
The archive version of this Webinar is now available for download.
For a director of photography, maintaining the consistency of color throughout the production and post pipeline is always the wild card. The new digital cameras up the ante. Although they allow the cinematographer to approximate the look of film or going for something entirely new at HD resolution and beyond, the digital process from dailies to DI means that what you see isn’t always what you get. What you see on-set may not be what’s on the monitor in the DI suite and, in the worst case scenarios, looks different in the movie theater or on the TV screen. Find out how to take control of color from the first day of the shoot and make sure your color decisions stay consistent all the way through to your world premiere.
In addition, you'll learn:
Where are the weak links in production and post?
What hardware and software can help dial in your look in production and post?
What are the best practices — and what can go wrong?
What issues are introduced by digital cameras (including the Red One)?
Speakers: David Darby, ASC; Mark Van Horne, Fotokem; Siggy Ferstl, Company 3; Ross Emery, ACS; Nancy Schreiber, ASC; Milton Adamou, DI colorist/supervisor
• All Webinars are archived for 12 months after the date of the live event so you can come back and watch it again and again.
Buy any three of these six upcoming Webinars and receive 10 percent off. Buy all six and receive 20 percent off.
