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| 12|29|2011 |
By Bryant Frazer
Director and motion designer Giovanni Bucci took on the cross-disciplinary role of director, editor, cinematographer, and co-composer for a calling-card short, "Addiction," about the sometimes dangerous relationship between people and technology.... »
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| 12|29|2011 |
By Bryant Frazer
Sony's NEX-FS100 gets a free firmware update early next year that enables PAL recording, an extension to the AVC HD codec, and support for a new adapter that supports continuous focus adjustments while using Sony's Alpha lenses on the camera.... »
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| 12|28|2011 |
Beth Marchant
2011 was a big year for new products and Apple and Canon certainly hogged the spotlight with their respective releases. But that wasn't the whole story. Not so surprisingly our readers—who span many craft categories—were drawn in the largest numbers to camera and software reviews and news, as well as high-profile project stories, that told them something they didn't know before.... »
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| 12|28|2011 |
Press Release
For their indie feature Odd Brodsky cinematographer Matthew Irving and director/producer Cindy Baer chose to use LED lighting from Litepanels, a Vitec Group brand.... »
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| 12|27|2011 |
Beth Marchant
Here's a promotional item worth much more than its weight: a 4, 8 or 16 GB USB stick, no bigger than a fingertip, that fits in a wallet or hangs inconspicuously from a keychain.... »
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| 12|22|2011 |
Press Release
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| 12|22|2011 |
By Meleah Maynard
Hollywood design agency The Ether created a new visual of the tower for Tower Heist's trailer, using 3D graphics and bold typography to emphasize the building's importance in the film.... »
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| 12|22|2011 |
Beth Marchant
We caught up with Boris Yamnitsky, founder and CEO of Boris FX, to find out more about the latest version of the company's flagship plug-in suite, Boris Continuum Complete, its most comprehensive and popular collection to date.... »
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| 12|22|2011 |
Bryant Frazer
Extremely Loud and Incredibly Close deals with one of the most fraught subjects that can be tackled by a filmmaker — the September 11 attacks on the World Trade Center. Set in New York City between 2001 and 2003, the film sees the events through the eyes of a child who lived them. The subject matter complicated things for the editorial team, which was tasked not just with handling the material with appropriate sensitivity, but with organizing a significant amount of VFX work depicting the New York City of 10 years ago, all with an end-of-year release date looming ever closer. Film & Video spoke with associate editor David A. Smith about the special challenges of the project.... »
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| 12|21|2011 |
Beth Marchant
For a limited time, Boris FX is pleased to provide 40 free Adobe After Effects CS5.x compositions that are ready-to-use in broadcast design projects.... »
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