03|03|2010

Design a Title Using Artbeats HD Clips and After Effects

Steve Holmes

This tutorial, created to showcase a number of new clips from Artbeats, will show you some of the techniques we used here in the Energi Design studio on a recent title design for a foreign documentary called L’automne à Paris....  »
01|08|2010

Record, Playout SD/HD at Live Events with the Grass Valley T2 iDDR

M. Ray Brooksby

This tutorial explains how to record clips, import media from other digital devices, play and trim clips, and finally how to create a playlist, first in Front Panel Mode, then in Workstation Mode....  »
09|09|2009

Key Poorly Shot Greenscreen Footage in Premiere Pro

Marc Franklin

Lately, I’m being asked to do more and more with greenscreen keys. Some of the keys I get are shot really well, and the rest aren’t. This is how to deal with the bad ones....  »
06|23|2009

Animate Vector PDF Documents with Noise Industries FxFactory Pro

Vik Narayan

Add keyframes and motion blur to PDF documents featured in documentaries, news spots or training videos without bulking up your file size or render times....  »
06|01|2009

Create a Broadcast Spot and Webisode with RED and Final Cut Pro

OMNI Advertising and the beverage company Celsius tapped Walker/Fitzgibbon to produce a series of commercials. The latest evolution of the piece — a Webisode released on YouTube, Veoh and Vimeo — took the brand to an online audience....  »
05|01|2009

Edit to the Beat in Final Cut Pro

In this tutorial I’ll show you how to use filler, or slug, as placeholder clips to establish a visual rhythm for a highlight reel or basic music video. If you are newer to video editing, you may notice that your projects often start strong and end weak. Try using slug and the "Replace Edit" function to lay down a rough cut and establish a visual rhythm....  »
04|01|2009

How: Create Streaming Cell Phone Videos for a 24/7 Streaming Channel

Step 1 ADD A VIDEO To add a video file for encoding, navigate to your Bookmarks , select a file and drag it onto the Job Batch . The file I’m encoding is called Fish02.mov and is a 720 x 480 DV QuickTime...  »
03|01|2009

Track Greenscreen Data from FCP Files with Imagineer mocha for an After Effects Comp

by Sasa Jokic

A few months ago I was approached by an ad agency to do two commercials for Connecticut-based Webster Bank. It was a very challenging and complex project. It could have turned into a huge headache if it weren’t for mocha....  »
02|01|2009

Match Multiple Takes in Seconds with ScriptSync in Avid Media Composer

Step 1 ACQUIRE YOUR ASSETS Digitize the footage and organize Avid Media Composer project bins as you would on any 24 fps HD show. To prepare the script file — we get the script e-mailed to us as a text...  »
02|01|2009

3D Track/Composite in Maya and Shake (When 2D Tracking in Flame Isn’t Enough)

By analyzing each scene carefully, we decided to use the 3D tracking/compositing method described here for difficult scenes and 2D tracking for simpler scenes....  »

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