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| 03|03|2010 |
Steve Holmes
This tutorial, created to showcase a number of new clips from Artbeats, will show you some of the techniques we used here in the Energi Design studio on a recent title design for a foreign documentary called L’automne à Paris.... »
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| 06|23|2009 |
Vik Narayan
Add keyframes and motion blur to PDF documents featured in documentaries, news spots or training videos without bulking up your file size or render times.... »
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| 03|01|2009 |
by Sasa Jokic
A few months ago I was approached by an ad agency to do two commercials for Connecticut-based Webster Bank. It was a very challenging and complex project. It could have turned into a huge headache if it weren’t for mocha.... »
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| 02|01|2009 |
By analyzing each scene carefully, we decided to use the 3D tracking/compositing method described here for difficult scenes and 2D tracking for simpler scenes.... »
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| 08|01|2008 |
David Hill
Step 1 CREATE YOUR COMPOSITION Before you do anything else, it’s extremely important to plan out your scene. First, make sure you’re happy with the overall composition. This will give you a better idea of... »
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| 08|01|2008 |
Matt Chandler
Remember to sleep and eat when in the middle of a busy and time-consuming project! If you’re tired and struggling to solve a problem into the early hours, you are going to be even more tired and unproductive the following day.... »
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| 05|01|2008 |
When doing any kind of scientific or reality-based animation, it’s important to do a lot of R&D up front. We spent about two months preparing for this project before it went into production, developing techniques, pipelines, models and textures that would give us consistent "looks" during compositing.... »
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| 03|01|2008 |
Jem Schofield
Don’t be afraid to play! The parameters in Motion are there to mess with. Give them a try; you can always undo.... »
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| 01|01|2008 |
Nicholas Da Silva and Alexandre "Ozmoze" Brakha
If you can learn to master the walk cycle in animation, then you can animate just about anything. Here, we take that theory one step further by creating a run cycle.... »
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| 12|01|2007 |
Mark Thielen
When you give props to Massive Software agents, you give your CG crowds more variation and give the entire shot a more realistic feel. ... »
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