07|01|2008

Remove Unwanted Noise from Clips in Apple Soundtrack Pro 2

Lonzell Watson

In this tutorial, the objective is to remove the unwanted noise without degrading the overall sound quality of the scene. Sounds that vary wildly in pitch are the most difficult to remove. Be mindful of your shooting environment and if you anticipate that a particular background noise will give you problems in post......  »
03|01|2008

Three Ways to Transfer Sony XDCAM Content to Final Cut Pro

There are three ways to move footage from the Sony PMW-EX1 camcorder to Final Cut Pro. Deciding which method to use depends on your equipment and desired file format....  »
02|01|2008

Create a Red Book Audio CD Master with Sony CD Architect 5.2

Justin Lassen

Making a professional master CD doesn’t have to be difficult, especially if you’ve got Sony CD Architect 5.2. This is a very powerful CD burning application that lets you define everything in the Red Book standard, down to secret tracks, delayed starts and industry cataloging. ...  »
01|01|2008

Maximize Your Workflow with P2 Cards and Avid Xpress Pro HD

Scott Gribble

So you’ve invested in your first HD camera...now what? Well, it takes some adjustments if you come from the analog world, so do expect some hiccups along the way. In the end, though, it’s all worth it ...  »
12|01|2007

Create Homemade "Glitch-Tech" Beat-Voxing Tracks with Sony Sound Forge 9 and ACID Pro 6

Justin Lassen

I’ve been doing "glitch" editing since before it had a name, genre or mainstream acceptance. People always ask me how this is done, and how they can get started doing it themselves, so I decided to create a step-by-step tutorial. I’ll focus here on the creation of the tracks for our "Rolls-Royce Phantom" episode....  »
11|01|2007

Create Complex Shiny Metal Surfaces with Nodes in LightWave 9.0

Graphic artists are always looking for ways to take the edge off that "CG" look. One of the most difficult things to do well in CG is create shiny, polished metal surfaces, like chrome. ...  »
11|01|2007

Use the New MIDI Sequencer in Adobe Audition 3

In this tutorial, I want to show you what can be done in AU3’s MIDI Host. There is much more that this MIDI host/sequencer can do, and as usual, this just scratches the surface of its full power....  »
10|01|2007

Track and Keyframe a Complex Shot Automatically with Imagineer Mocha

How we created this particular shot in Ice Spiders, where one spider attacks a skier as he swooshes down a mountainside, will give you a pretty good idea of the raw power inside Imagineer’s standalone tracking tool, Mocha (the big brother to Motor)....  »
08|01|2007

Rescue Badly Recorded Audio with Sony Sound Forge 9 and iZotope

Justin Lassen

Restoring audio depends on the actual waveform used, how it was originally created and what you plan on doing with it afterwards. This basic tutorial only scratches the surface; other subtle nuances of this art require more in-depth discussion and experimentation. ...  »
08|01|2007

Create A Photo-Real Project Using Camera Projection in Maya 8.5

Fooling the eye is a tricky thing and duplicating reality is no easy task.This turorial shows one way to get a relatively fast photo-real result for a project using Autodesk Maya. ...  »

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