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| 06|01|2009 |
OMNI Advertising and the beverage company Celsius tapped Walker/Fitzgibbon to produce a series of commercials. The latest evolution of the piece — a Webisode released on YouTube, Veoh and Vimeo — took the brand to an online audience.... »
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| 05|01|2009 |
In this tutorial I’ll show you how to use filler, or slug, as placeholder clips to establish a visual rhythm for a highlight reel or basic music video. If you are newer to video editing, you may notice that your projects often start strong and end weak. Try using slug and the "Replace Edit" function to lay down a rough cut and establish a visual rhythm.... »
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| 02|01|2009 |
Step 1 ACQUIRE YOUR ASSETS Digitize the footage and organize Avid Media Composer project bins as you would on any 24 fps HD show. To prepare the script file — we get the script e-mailed to us as a text... »
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| 11|01|2008 |
Lonzell Watson
Once you have exhausted your options for transitions under the effects tab, why not try some filter effects for unique transitions?... »
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| 10|01|2008 |
Lonzell Watson
There is no substitute for acquiring the best audio you can while in production, but the audio cleanup tools can be a lifesaver if the possibility for a re-shoot is a no-go.... »
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| 08|01|2008 |
Robert W. Walker and Mo Fitzgibbon
We were hired to shoot three television commercials in one day on greenscreen. Due to the time constraints, we wanted to be able to do live greenscreen with the modeled set built in After Effects and capture all the footage seamlessly during the shoot.... »
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| 07|01|2008 |
Lonzell Watson
In this tutorial, the objective is to remove the unwanted noise without degrading the overall sound quality of the scene. Sounds that vary wildly in pitch are the most difficult to remove. Be mindful of your shooting environment and if you anticipate that a particular background noise will give you problems in post...... »
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| 06|01|2008 |
This is just one easy way to create a transparent version of your company’s signature or logo for importing into a Final Cut Pro project. If you plan to use square pixel elements in your Glass Bug, simply drag or copy those elements into a non-square Photoshop document to customize them for use in your project.... »
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| 05|01|2008 |
Lonzell Watson
This technique is a simplified play on color isolation made popular by such films as Pleasantville and Sin City. It is, nonetheless, a powerful tool to command the attention of an unsuspecting audience.... »
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| 03|01|2008 |
There are three ways to move footage from the Sony PMW-EX1 camcorder to Final Cut Pro. Deciding which method to use depends on your equipment and desired file format.... »
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