Related Content









10|20|2010

Video Tutorial: Use Digieffects Depth+CameraMapper to Add Stereo Depth to a Van Gogh Painting

Mark Eaton

In this stereo 3D tutorial, you'll learn how to add a 3D camera move and apply rack focus to turn a classic work of art into a 3D anaglyph image. Once again, 3D glasses are required to watch your progress and see the final result....  »
10|14|2010

Video Tutorial: 3D Stereo Displacement with Digieffects Freeform AE

Mark Eaton

In this video tutorial, you'll earn how to translate 2D motion and set up cameras within stereo 3D files for full 3D displacement...  »
06|01|2009

Create a Broadcast Spot and Webisode with RED and Final Cut Pro

OMNI Advertising and the beverage company Celsius tapped Walker/Fitzgibbon to produce a series of commercials. The latest evolution of the piece — a Webisode released on YouTube, Veoh and Vimeo — took the brand to an online audience....  »
05|01|2009

Edit to the Beat in Final Cut Pro

In this tutorial I’ll show you how to use filler, or slug, as placeholder clips to establish a visual rhythm for a highlight reel or basic music video. If you are newer to video editing, you may notice that your projects often start strong and end weak. Try using slug and the "Replace Edit" function to lay down a rough cut and establish a visual rhythm....  »
02|01|2009

Match Multiple Takes in Seconds with ScriptSync in Avid Media Composer

Step 1 ACQUIRE YOUR ASSETS Digitize the footage and organize Avid Media Composer project bins as you would on any 24 fps HD show. To prepare the script file — we get the script e-mailed to us as a text...  »
11|01|2008

Use Filters as Transitions in Apple Final Cut Pro 6

Lonzell Watson

Once you have exhausted your options for transitions under the effects tab, why not try some filter effects for unique transitions?...  »
10|01|2008

Detect and Lower Clipped Audio in Apple Final Cut Pro 6

Lonzell Watson

There is no substitute for acquiring the best audio you can while in production, but the audio cleanup tools can be a lifesaver if the possibility for a re-shoot is a no-go....  »
08|01|2008

Create an On-Set Direct-to-Disk Shoot/Capture/Edit Setup with AJA Io HD and Final Cut Pro for a Greenscreen Shoot

Robert W. Walker and Mo Fitzgibbon

We were hired to shoot three television commercials in one day on greenscreen. Due to the time constraints, we wanted to be able to do live greenscreen with the modeled set built in After Effects and capture all the footage seamlessly during the shoot....  »
07|01|2008

Remove Unwanted Noise from Clips in Apple Soundtrack Pro 2

Lonzell Watson

In this tutorial, the objective is to remove the unwanted noise without degrading the overall sound quality of the scene. Sounds that vary wildly in pitch are the most difficult to remove. Be mindful of your shooting environment and if you anticipate that a particular background noise will give you problems in post......  »
06|01|2008

Create a Network ID/Glass Bug in Adobe Photoshop CS3 for Final Cut Pro 6 Projects

This is just one easy way to create a transparent version of your company’s signature or logo for importing into a Final Cut Pro project. If you plan to use square pixel elements in your Glass Bug, simply drag or copy those elements into a non-square Photoshop document to customize them for use in your project....  »

[1] 2 3 4 5 6  next »



Subscribe to StudioDaily Podcast


         
  flash video mini-site   rich media tutorials   store  
 
flash video News, analysis, tips and tricks served up daily at the new Studio Daily blog.
 
video tutorials All New Video Tutorials on Softimage Face Robot, Avid Liquid, After Effects, FCP and more!
  downloadable tutorials final cut pro after effects motion  
           
HOME | SUBSCRIBE | TOOLS | TUTORIALS | REVIEWS | BUSINESS | CONTACT | ABOUT US | PRIVACY & TERMS | ADVERTISING



Related Content