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| 10|20|2010 |
Mark Eaton
In this stereo 3D tutorial, you'll learn how to add a 3D camera move and apply rack focus to turn a classic work of art into a 3D anaglyph image. Once again, 3D glasses are required to watch your progress and see the final result.... »
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| 10|14|2010 |
Mark Eaton
In this video tutorial, you'll earn how to translate 2D motion and set up cameras within stereo 3D files for full 3D displacement... »
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| 06|01|2009 |
OMNI Advertising and the beverage company Celsius tapped Walker/Fitzgibbon to produce a series of commercials. The latest evolution of the piece — a Webisode released on YouTube, Veoh and Vimeo — took the brand to an online audience.... »
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| 05|01|2009 |
In this tutorial I’ll show you how to use filler, or slug, as placeholder clips to establish a visual rhythm for a highlight reel or basic music video. If you are newer to video editing, you may notice that your projects often start strong and end weak. Try using slug and the "Replace Edit" function to lay down a rough cut and establish a visual rhythm.... »
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| 02|01|2009 |
Step 1 ACQUIRE YOUR ASSETS Digitize the footage and organize Avid Media Composer project bins as you would on any 24 fps HD show. To prepare the script file — we get the script e-mailed to us as a text... »
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| 11|01|2008 |
Lonzell Watson
Once you have exhausted your options for transitions under the effects tab, why not try some filter effects for unique transitions?... »
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| 10|01|2008 |
Lonzell Watson
There is no substitute for acquiring the best audio you can while in production, but the audio cleanup tools can be a lifesaver if the possibility for a re-shoot is a no-go.... »
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| 08|01|2008 |
Robert W. Walker and Mo Fitzgibbon
We were hired to shoot three television commercials in one day on greenscreen. Due to the time constraints, we wanted to be able to do live greenscreen with the modeled set built in After Effects and capture all the footage seamlessly during the shoot.... »
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| 07|01|2008 |
Lonzell Watson
In this tutorial, the objective is to remove the unwanted noise without degrading the overall sound quality of the scene. Sounds that vary wildly in pitch are the most difficult to remove. Be mindful of your shooting environment and if you anticipate that a particular background noise will give you problems in post...... »
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| 06|01|2008 |
This is just one easy way to create a transparent version of your company’s signature or logo for importing into a Final Cut Pro project. If you plan to use square pixel elements in your Glass Bug, simply drag or copy those elements into a non-square Photoshop document to customize them for use in your project.... »
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