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02|01|2006

Shoot Slow-mo HD with the Panasonic AG-HVX200

One of the fascinating and unique features of the new Panasonic AG-HVX200 is its ability to shoot with true variable frame rates....  »
01|01|2006

Light a Product Shot in Under an Hour

The product shot is typically the last shot of the day, when everyone’s tired and wants to go home. This method, which uses only one light, will help you do it quickly and easily....  »
11|01|2005

Make the Right Adjustments with the JVC GY-HD100U

The JVC GY-HD100U ProHD camera features interchangeable lenses. You can decide what glass to use for the look you want....  »
09|01|2005

Mind your Mics and Get Great Sound in the Field

Step 1 Carry the right mic kit Your mic kit should consist of at least one good omni-directional lavalier mic. My favorites are the Audio-Technica AT892, Sony ECM-55, or Countryman B3. All are very small, easy...  »
03|01|2005

Lighting a video interview with Arri Fresnels

Step 1 Set up the main light source The key light is the main source used to light the subject. Its direction and ratio to other light used establishes the mood of the illumination. An Arri 650-watt fresnel is...  »
02|01|2005

Deal with shifting light during tracking shots on outdoor shoots with the Canon XL2

Step 1 Check white balance Make sure the camera already has a good white balance. Step 2 Set proper exposure Check the proper exposure for the starting angle and the finishing angle and compare the number of...  »
01|01|2005

Get Film-Style Slow Motion Effects with the Panasonic DVX100A

Step 1 Coaxing slo-mo out of video Film and video approach slow motion very differently. Film sets the "gold standard" for exquisite slow motion—film cameras shoot more frames per second, then play...  »

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